In a book charged with vitality and lacking no detail that it was possible to gather from books, un published letter or journals, and word-of-mouth tadition, Thomas Beer presents the morals, politics, society, and literature of the 1880's and '90s in America - and dramatizes them all. Among the figures portrayed in these brilliant pages are Theodore Roosevelt, Mark Hanna, Eleonora Duse, Joseph Conrad, ambrose Bierce, Stephen Crane, Standford White, Anna Held, J. Pierpont Morgan, Henry George, Oscar Wilde, and William Graham Summer.

Of the first edition ... one hundred and sixty five large paper copies have been printed as follows: fifteen on Borzoi rag paper signed by the author and numbered from A to O; one hundred and fifty copies on Borzoi rag paper signed by the author and numbered from 1 to 150 ...

Of the first edition ... one hundred and sixty five large paper copies have been printed as follows: fifteen on Borzoi rag paper signed by the author and numbered from A to O; one hundred and fifty copies on Borzoi rag paper signed by the author and numbered from 1 to 150 ...

The first full-scale biography of John Hay since 1934: From secretary to Abraham Lincoln to secretary of state for Theodore Roosevelt, Hay was an essential American figure for more than half a century. John Taliaferro’s brilliant biography captures the extraordinary life of Hay, one of the most amazing figures in American history, and restores him to his rightful place. Private secretary to Lincoln and secretary of state to Theodore Roosevelt, Hay was both witness and author of many of the most significant chapters in American history—from the birth of the Republican Party, the Civil War, the Spanish-American War, to the prelude to World War I. As an ambassador and statesman, he guided many of the country’s major diplomatic initiatives at the turn of the twentieth century: the Open Door with China, the creation of the Panama Canal, and the establishment of America as a world leader. Hay’s friends are a who’s who of the era: Mark Twain, Horace Greeley, Henry Adams, Henry James, and virtually every president, sovereign, author, artist, power broker, and robber baron of the Gilded Age. His peers esteemed him as “a perfectly cut stone” and “the greatest prime minister this republic has ever known.” But for all his poise and polish, he had his secrets. His marriage to one of the wealthiest women in the country did not prevent him from pursuing the Madame X of Washington society, whose other secret suitor was Hay’s best friend, Henry Adams. All the Great Prizes, the first authoritative biography of Hay in eighty years, renders a rich and fascinating portrait of this brilliant American and his many worlds.

"In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression.The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, andother singing cowboys were an audience largely ignored by mainstreamHollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in ""B"" Westerns.Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the ""horse opera"" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media.Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women whose lives were brightened by the sights and songs of the singing Western."