One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.

The Tomato Patch fills the gap between Roadkill and Jenny Cay and completes the six-book Dan Warden Series. Dan Warden has been promoted to Lieutenant and leads the Creek County, Tennessee, Sheriff’s Department’s Crime Scene Investigation Unit. After being divorced for several years, he has met a woman who astounds him with her brazen attitude toward life and her willingness to face any problem without flinching. Life is good for Dan until a paroled convict shows up with vengeance on his mind for the man responsible for putting him in prison.

This definitive collection establishes Williams as a major American fiction writer of the twentieth century.

Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.

Tennessee Williams wrote to family, friends and fellow artists with equal measures of piety, wit, and astute self-knowledge. Presented with a running commentary to separate Williams' often hilarious, but sometimes devious, counter-reality from the truth, the letters form a kind of autobiography.