"The current discourse of New Materialism seeks to chart a way of addressing our contemporary predicament around environmental destruction through reassessing our relationship and attitudes to matter. This book argues that the panentheism of the 11th century Indian Hindu thinker Abhinavagupta offers a cogent philosophical model that gives us new ways of thinking about matter, which can help a contemporary New Materialist thought. What makes panentheism an attractive model for Abhinavagupta's philosophy is its Tantric impetus towards both the materiality of the world and the transcendence of divinity, proposing a philosophy that finds consciousness-a subjectivity as, and at the very core of matter. With this, Abhinavagupta's articulation of a foundational and encompassing subjectivity proposes a panentheist solution to a familiar conundrum, one we still grapple with today-that is: how does consciousness, which is so unlike matter, how does it actually connect to the materiality of our world? In familar 21st century terms, how does mind connect to body? This book brings this question to bear in comparative fashion on contemporary issues: our current concerns around what is sentient-animals? viruses? artificial intelligence?-set in relation to Abhinavagupta's articulation of what gives rise to sentience via his use of the term vimarśa; our current conceptions of information as data-articulated in juxtaposition to Abhinavagupta's theology of mantra, mystic sound; examining Abhinavagupta's use of wonder (camatkāra) as as a philosophical concept, and how his cosmological system (tattva) underwrites his understanding of a foundational subjectivity"--

#1 NEW YORK TIMES BESTSELLER • Millions of people have fallen in love with Auggie Pullman, an ordinary boy with an extraordinary face—who shows us that kindness brings us together no matter how far apart we are. Read the book that inspired the Choose Kind movement, a major motion picture, and the critically acclaimed graphic novel White Bird. And don't miss R.J. Palacio's highly anticipated new novel, Pony, available now! I won't describe what I look like. Whatever you're thinking, it's probably worse. August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. Beginning from Auggie’s point of view and expanding to include his classmates, his sister, her boyfriend, and others, the perspectives converge to form a portrait of one community’s struggle with empathy, compassion, and acceptance. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope. R.J. Palacio has called her debut novel “a meditation on kindness” —indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can’t blend in when you were born to stand out.

Wonder has been celebrated as the quintessential passion of childhood. From the earliest stages of our intellectual history, it has been acclaimed as the driving force of inquiry and the prime passion of thought. Yet for an emotion acknowledged so widely for the multiple roles it plays in our lives, wonder has led a singularly shadowy existence in recent reflections. Philosophers have largely passed it over in silence; emotion theorists have shunned it as a case that sits awkwardly within their analytical frameworks. So what is wonder, and why does it matter? In this book, Sophia Vasalou sketches a "grammar" of wonder that pursues the complexities of wonder as an emotional experience that has carved colorful tracks through our language and our intellectual history, not only in philosophy and science but also in art and religious experience. A richer grammar of wonder and broader window into its past can give us the tools we need for thinking more insightfully about wonder, and for reflecting on the place it should occupy within our emotional lives.

A Karger 'Publishing Highlights 1890-2015' title Where do we come from? Is our destiny determined by the genes we inherit? Do we all see the same blue color when we look at the sky? In this book Gottfried (Jeff) Schatz, the world-renowned biochemist and co-discoverer of mitochondrial DNA, gives lucid - albeit often surprising - answers to universal questions and takes the reader on a fascinating journey of discovery across the boundaries of scientific disciplines. With passion and a keen sense of wonder, he draws on philosophy, cultural history and art to formulate his reflections on the mystery of life. The key to understanding life is to be found in its chemistry, and he proves that this is no dry endeavor and certainly not devoid of beauty. The result is a collection of eloquently and poetically written essays dealing with key issues in the natural sciences. It will appeal not only to scientists, but to all curious minds, regardless of educational and professional background.

Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life. Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl. Written with all the propulsive tension that made Room a huge bestseller, The Wonder works beautifully on many levels -- a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil. Acclaim for The Wonder: "Deliciously gothic.... Dark and vivid, with complicated characters, this is a novel that lodges itself deep" (USA Today, 3/4 stars) "Heartbreaking and transcendent"(New York Times) "A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted" (Chicago Tribune) "Donoghue poses powerful questions about faith and belief" (Newsday)

In these lively and provocative essays, philosopher, polymath and all-round intellectual heavyweight, Raymond Tallis debunks commonplace truths, exposes woolly thinking and pulls the rug from beneath a wide range of commentator whether scientist, theologian, philosopher or pundit. Tallis takes to task much of contemporary science and philosophy, arguing that they are guilty of taking us down ever narrowing conduits of problem solving that only invite ever more complex responses and in doing so have lost sight of "wonder" - the metaphysical intoxication that first gave birth to philosophy 2,500 years ago. Tallis tackles some meaty topics - memory, time, language, truth, fiction, consciousness - but always with his characteristic verve, insight and wit. These essays showcase Tallis's skill for getting to the heart of the matter and challenging us to see, and wonder, in different ways. Wonder is the proper state of humankind, and as these essays show it has no more forceful a champion than Raymond Tallis.

A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.