The rich and magical land of Telamis, divided into four kingdoms with their own conflict. Home to great clans, demons, and magical creatures. Dragons and phoenixes soars the beautiful sky of Telamis. In the east the Kimsu clan itches to become the greatest clan. The Fairy clan of the west sees a rivalry between mother and son for the throne. In the north riddled with civil war and bloodshed in a never ending winter. The Sanila clan in the south discover their greatest power. Be careful what lurks in the shadow. A dagger of betrayal waits under a full moon. Follow the stories of heroes and villains to be. Wait for the great evil to come. The land of Telamis will be one!

The rich and magical land of Telamis, divided into four kingdoms with their own conflict. Home to great clans, demons, and magical creatures. Dragons and phoenixes soars the beautiful sky of Telamis. In the east the Kimsu clan itches to become the greatest clan. The Fairy clan of the west sees a rivalry between mother and son for the throne. In the north riddled with civil war and bloodshed in a never ending winter. The Sanila clan in the south discover their greatest power. Be careful what lurks in the shadow. A dagger of betrayal waits under a full moon. Follow the stories of heroes and villains to be. Wait for the great evil to come. The land of Telamis will be one!

In this, the second book of the epic trilogy begun in The Forging of the Shadows, the once-glorious city of Thrull has become a place of death and despair. Seven years before, Lord Faran Groton, High Priest of the God of Darkness, overthrew Thrull and set loose his army of vampires to plague the city, waiting for the day the sun would rise no more...But the God of Light has his champions as well. A motley trio of survivors searches for the three ancient artifacts which can defeat the darkness. Traveling far beyond their own lands, they will encounter nightmares and disasters before facing their most dangerous enemies -- the Dark-born Nations of the Night!

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

She chose him. He chose revenge. But some choices have deadly consequences. When Elise agreed to break a vicious curse over the man she loved, she never imagined he was a lost fae prince. But Valen left her to carry out vengeance for his slaughtered family. So when she joins the outlaw fae in their uprising against her own sister, all Elise wants is to forget the prince who holds her heart. But fate has a different plan. Reunited in the rescue of a mutual friend, Elise and Valen are forced to decide where they stand in the battle of crowns. As their passion reignites, so too do the dangers threatening to pull them apart for good: a strange magical blight infecting the land, betrayal by one of their own, and a devastating secret not even a fae prince saw coming. The wicked game for the right to rule has begun. But who will save Elise and Valen from a dark magic with the power to destroy their love forever? For fans of The Cruel Prince and The Shadows Between Us, this tale of a rebellious princess and a seductive prince is wickedly romantic. Part Viking, part fairy tale, one-click to preorder a dark, swoon-worthy romance with the perfect amount of sweet and steam.

“After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.” So begins an extraordinary story of betrayal and treachery, of delusion and deceit narrated by Edward Glyver. Glyver may be a bibliophile, but he is no bookworm. Employed “in a private capacity” by one of Victorian London’s top lawyers, he knows his Macrobius from his First Folio, but he has the street-smarts and ruthlessness of a Philip Marlowe. And just as it is with many a contemporary detective, one can’t always be sure whether Glyver is acting on the side of right or wrong. As the novel begins, Glyver silently stabs a stranger from behind, killing him apparently at random. But though he has committed a callous and brutal crime, Glyver soon reveals himself to be a sympathetic and seductively charming narrator. In fact, Edward Glyver keeps the reader spellbound for 600 riveting pages full of betrayal, twists, lies, and obsession. Glyver has an unforgettable story to tell. Raised in straitened circumstances by his novelist mother, he attended Eton thanks to the munificence of a mysterious benefactor. After his mother’s death, Glyver is not sure what path to take in life. Should he explore the new art of photography, take a job at the British Museum, continue his travels in Europe with his friend Le Grice? But then, going through his mother’s papers, he discovers something that seems unbelievable: the woman who raised him was not his mother at all. He is actually the son of Lord Tansor, one of the richest and most powerful men in England. Naturally, Glyver sets out to prove his case. But he lacks evidence, and while trying to find it under the alias “Edward Glapthorn,” he discovers that one person stands between him and his birthright: his old schoolmate and rival Phoebus Rainsford Daunt, a popular poet (and secret criminal) whom Lord Tansor has taken a decidedly paternal interest in after the death of his only son. Glyver’s mission to regain his patrimony takes him from the heights of society to its lowest depths, from brothels and opium dens to Cambridge colleges and the idylls of Evenwood, the Tansor family’s ancestral home. Glyver is tough and resourceful, but Daunt always seems to be a step ahead, at least until Glyver meets the beguilingly beautiful Emily Carteret, daughter of Lord Tansor’s secretary. But nothing is as it seems in this accomplished, suspenseful novel. Glyver’s employer Tredgold warns him to trust no one: Is his enigmatic neighbour Fordyce Jukes spying on him? Is the brutal murderer Josiah Pluckthorn on his trail? And is Glyver himself, driven half-mad by the desire for revenge, telling us the whole truth in his candid, but very artful, “confession”? A global phenomenon, The Meaning of Night is an addictive, darkly funny, and completely captivating novel. Meticulously researched and utterly gripping, it draws its readers relentlessly forward until its compelling narrator’s final revelations.

Malls, stadiums, and universities are actually liturgical structures that influence and shape our thoughts and affections. Humans--as Augustine noted--are "desiring agents," full of longings and passions; in brief, we are what we love. James K. A. Smith focuses on the themes of liturgy and desire in Desiring the Kingdom, the first book in what will be a three-volume set on the theology of culture. He redirects our yearnings to focus on the greatest good: God. Ultimately, Smith seeks to re-vision education through the process and practice of worship. Students of philosophy, theology, worldview, and culture will welcome Desiring the Kingdom, as will those involved in ministry and other interested readers.