From their earliest days on the American frontier through their growth into a worldwide church, the spatially expansive Mormons made maps to help them create idealized communities, migrate to and colonize large parts of the American West, visualize the stories in their sacred texts, and spread their message internationally through a well-organized missionary system. This book identifies many Mormon mapmakers who played an important but heretofore unsung role in charting the course of Latter-day Saint history. For Mormons, maps had and continue to have both practical and spiritual significance. In addition to using maps to help build their new Zion and to explore the Intermountain West, Latter-day Saint mapmakers used them to depict locations and events described in the Book of Mormon. Featuring over one hundred historical maps reproduced in full color--many never before published--The Mapmakers of New Zion sheds new light on Mormonism and takes readers on a fascinating journey through maps as both historical documents and touchstones of faith. Winner of the Southwest Book Design and Production Award from the New Mexico Book Association. Selected as on the American Library Association's Best of the Best from University Presses.

Why do thousands of Mormons devote their summer vacations to following the Mormon Trail? Why does the Church of Jesus Christ of Latter-day Day Saints spend millions of dollars to build monuments and Visitor Centers that believers can visit to experience the history of their nineteenth-century predecessors who fled westward in search of their promised land? Why do so many Mormon teenagers dress up in Little-House-on-the-Prairie-style garb and push handcarts over the highest local hills they can find? And what exactly is a "traveling Zion"? In Pioneers in the Attic, Sara Patterson analyzes how and why Mormons are engaging their nineteenth-century past in the modern era, arguing that as the LDS community globalized in the late twentieth and early twenty-first centuries, its relationship to space was transformed. Following their exodus to Utah, nineteenth-century Mormons believed that they must gather together in Salt Lake Zion - their new center place. They believed that Zion was a place you could point to on a map, a place you should dwell in to live a righteous life. Later Mormons had to reinterpret these central theological principles as their community spread around the globe, but to say that they simply spiritualized concepts that had once been understood literally is only one piece of the puzzle. Contemporary Mormons still want to touch and to feel these principles, so they mark and claim the landscapes of the American West with versions of their history carved in stone. They develop rituals that allow them not only to learn the history of the nineteenth-century journey west, but to engage it with all of their senses. Pioneers in the Attic reveals how modern-day Mormons have created a sense of community and felt religion through the memorialization of early Mormon pioneers of the American West, immortalizing a narrative of shared identity through an emphasis on place and collective memory.

In April 1888, Andrew Jenson, Danish immigrant and convert to the Mormon faith, received an unexpected invitation from church leaders to speak at their general conference. Jenson was an outsider to this conference tradition, a layman whose only standing before the main body of Latter-day Saints came from a contracted position with the Church Historian's Office. Forty-two years later, in April 1930, Jenson offered his twenty-eighth and final general conference sermon. He had become the voice of institutional record keeping in his over forty-year career as an Assistant Church Historian. His sermons demonstrated the growth and expansion of the Mormon general conference tradition in the twentieth century, as they placed the Latter-day Saint story front and center for church members to learn from and celebrate. In addition, Jenson urged conference goers to keep better personal and institutional records and believed he was often the solitary advocate for church record keeping and historical preservation. A Voice in the Wilderness presents all twenty-eight of Andrew Jenson's general conference sermons, with introductions and annotations that set them within their historical and religious contexts. His speeches capture a unique period in Mormon history, one of institutional change, accommodation, and growth. This study of Jenson's sermons uncovers the richness and diversity that thrives just beneath the surface of official ecclesiastical discourse.

How do Christians make relationships with land central to their faith? How have the realities of materiality, geography, and ecology shaped Christian territories of belonging and theologies of territory? What social-economic-political conditions surround exchanges between religion and nature? This book explores how Christianity intersects with nature to create unique religious landscapes. Case studies range from the Mormon Trail across the USA completed by thousands every year, to the Catholic devotional cult of and shrine to St. Padre Pio of Pietrelcina. Contributors examine the entangled forms of agency between nature and culture that are at work as Christians produce, consume, experience, imagine, inhabit, manage, and struggle over formations of land. Focusing on Christian engagements with land forms in the early 21st century, this book advances the spatial turn in the study of religion, contributes to the anthropology of religion and the study of global Christianities, as well as our understanding of the relationship between Christianity, space and place.

The Oxford Handbook of Postcolonial Biblical Criticism is a comprehensive treatment of a relatively new form of scholarship-one of the most compelling and contested theories to emerge in recent times, and a topic that actively seeks to expand the ways in which the Bible can be studied, interpreted, and applied. Generally speaking, postcolonialism aims to critique and dismantle hegemonic worldviews and power structures, while giving voice to previously marginalized peoples and systems of thought. This approach, often varied in form, has inevitably engaged with the text and reception of the Bible, a scripture that Western colonizers introduced to-and often imposed upon-their colonial subjects. With a globally diverse list of contributors, the Handbook aims to cover the perspective and context of the authors of the Bible, as well as the modern experiences of imperialism, resistance, decolonization, and nationalism. Moreover, the volume includes both a theoretical overview and an exploration of how the field intersects with related areas, such as gender studies, race, postmodernism, and liberation theology.

Throughout its history, America has been defined through maps. Whether made for military strategy or urban reform, to encourage settlement or to investigate disease, maps invest information with meaning by translating it into visual form. They capture what people knew, what they thought they knew, what they hoped for, and what they feared. As such they offer unrivaled windows onto the past. In this book Susan Schulten uses maps to explore five centuries of American history, from the voyages of European discovery to the digital age. With stunning visual clarity, A History of America in 100 Maps showcases the power of cartography to illuminate and complicate our understanding of the past. Gathered primarily from the British Library’s incomparable archives and compiled into nine chronological chapters, these one hundred full-color maps range from the iconic to the unfamiliar. Each is discussed in terms of its specific features as well as its larger historical significance in a way that conveys a fresh perspective on the past. Some of these maps were made by established cartographers, while others were made by unknown individuals such as Cherokee tribal leaders, soldiers on the front, and the first generation of girls to be formally educated. Some were tools of statecraft and diplomacy, and others were instruments of social reform or even advertising and entertainment. But when considered together, they demonstrate the many ways that maps both reflect and influence historical change. Audacious in scope and charming in execution, this collection of one hundred full-color maps offers an imaginative and visually engaging tour of American history that will show readers a new way of navigating their own worlds.