This book explores the multifaceted dimensions that make up the American communist movement from its early years in the 1920s to its peak in the years leading up to World War II. The author argues that in order to effectively understand a social movement, it is necessary to take an approach that differentiates between the political-, social-, and labor-oriented motivations taken by the movement's participants. By exploring the political, community, and labor dimensions of American communism, the author helps convey the complex nature of social movements and the various ways they attempted to create agency in their society.

“Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public. From the immigrant Jewish enclaves of the Bronx and Brooklyn and the docks of Puget Sound to the mining towns of Kentucky and the suburbs of Cleveland, over a million Americans found a sense of belonging and an expanded sense of self through collective struggle. They also found social isolation, blacklisting, imprisonment, and shattered hopes. This is their story--an indisputably American story.

The hidden world of American communism can now be examined with the help of documents from the recently opened archives of the former Soviet Union. Interweaving narrative and documents, the authors of this book present a convincing new picture of the Communist Part of the the United States of America (CPUSA), providing proof that it was involved in espionage and other subversive activitives. 16 illustrations.

Worlds of Dissent analyzes the myths of Central European resistance popularized by Western journalists and historians, and replaces them with a picture of the struggle against state repression as the dissidents themselves understood, debated, and lived it. In the late 1970s, when Czech intellectuals, writers, and artists drafted Charter 77 and called on their government to respect human rights, they hesitated to name themselves "dissidents." Their personal and political experiences--diverse, uncertain, nameless--have been obscured by victory narratives that portray them as larger-than-life heroes who defeated Communism in Czechoslovakia. Jonathan Bolton draws on diaries, letters, personal essays, and other first-person texts to analyze Czech dissent less as a political philosophy than as an everyday experience. Bolton considers not only Václav Havel but also a range of men and women writers who have received less attention in the West--including Ludvík Vaculík, whose 1980 diary The Czech Dream Book is a compelling portrait of dissident life. Bolton recovers the stories that dissidents told about themselves, and brings their dilemmas and decisions to life for contemporary readers. Dissidents often debated, and even doubted, their own influence as they confronted incommensurable choices and the messiness of real life. Portraying dissent as a human, imperfect phenomenon, Bolton frees the dissidents from the suffocating confines of moral absolutes. Worlds of Dissent offers a rare opportunity tounderstand the texture of dissent in a closed society.

Peter Byrne tells the story of Hugh Everett III (1930-1982), whose "many worlds" theory of multiple universes has had a profound impact on physics and philosophy. Using Everett's unpublished papers (recently discovered in his son's basement) and dozens of interviews with his friends, colleagues, and surviving family members, Byrne paints, for the general reader, a detailed portrait of the genius who invented an astonishing way of describing our complex universe from the inside. Everett's mathematical model (called the "universal wave function") treats all possible events as "equally real", and concludes that countless copies of every person and thing exist in all possible configurations spread over an infinity of universes: many worlds. Afflicted by depression and addictions, Everett strove to bring rational order to the professional realms in which he played historically significant roles. In addition to his famous interpretation of quantum mechanics, Everett wrote a classic paper in game theory; created computer algorithms that revolutionized military operations research; and performed pioneering work in artificial intelligence for top secret government projects. He wrote the original software for targeting cities in a nuclear hot war; and he was one of the first scientists to recognize the danger of nuclear winter. As a Cold Warrior, he designed logical systems that modeled "rational" human and machine behaviors, and yet he was largely oblivious to the emotional damage his irrational personal behavior inflicted upon his family, lovers, and business partners. He died young, but left behind a fascinating record of his life, including correspondence with such philosophically inclined physicists as Niels Bohr, Norbert Wiener, and John Wheeler. These remarkable letters illuminate the long and often bitter struggle to explain the paradox of measurement at the heart of quantum physics. In recent years, Everett's solution to this mysterious problem - the existence of a universe of universes - has gained considerable traction in scientific circles, not as science fiction, but as an explanation of physical reality.

Examines the political history of a 20th-century Communist part leader in the US Earl Browder, the preeminent 20th-century Communist party leader in the United States, steered the CPUSA through the critical years of the Great Depression and World War II. A Kansas native and veteran of numerous radical movements, he was peculiarly fitted by circumstance and temperament to head the cause during its heyday. Serving as a bridge between American Communism's secret and public worlds, Browder did more than anyone to attempt to explain the Soviet Union's shifting policies to the American people in a way that would serve the interests of the CPUSA. A proud and loyal follower of Joseph Stalin, Browder nevertheless sought to move the party into the U.S. political mainstream. He used his knowledge of domestic politics to persuade the Communist International to modify Popular Front (1935-1939) tactics for the United States. Despite his rise in the hierarchy, he possessed an independent streak that ultimately proved his undoing. Imprisonment as he neared age 50 left permanent psychological damage. After being released with the approval of President Franklin D. Roosevelt, Browder lost his perspective and began entertaining delusions of grandeur about his status in American politics and in the world Communist movement. Still, he could never quite bring legitimacy to the CPUSA because he lacked the vision and moral courage to separate himself totally from the Soviet Union. Ryan concludes that Browder was not so much insincere as deluded. His failure contributed to the demise of the popularity of the Communist party in the United States. In preparation for this book, the author consulted the Browder Papers at Syracuse University and U.S. Government documents, particularly the F.B.I. files. In addition, he traveled to Russia for research in the Soviet Archives when recently opened to Western scholars, including the records of the former Communist International and a collection of American Communist party files, 1919-1944, shipped secretly to Moscow long ago. Indeed, until 1992, the existence of the CPUSA collection was only rumored.

This authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra's Why We Fightseries, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium