The first English biography of Edmond Rostand, creator of _Cyrano de Bergerac_. Thoroughly researched and annotated, but written for non-specialists, it shows how Rostand strove in his plays to revive idealism in the modern world.

This acclaimed adaptation for the stage has garnered such reviews as: "Emotional depth Rostand himself would surely have envied...Burgess' extravagant verse keeps its contours, yet trips off the tongue almost as though it were contemporary speech." London Times .

This adaptation by celebrated graphic novelist Kyle Baker and writer Peter David presents the tragedy and romance of Rostand's 17th century romance story. Cyrano de Bergerac yearns to confess his love to his cousin Roxanne; he is a talented poet and musician who should have no trouble doing so. Yet his large nose has convinced him that no woman would ever be interested in him. When Cyrano finds that Roxanne is enamored with the handsome Christian de Neuvillette, he offers to use his poetic prowess to help Christian win Roxanne's heart. As the three's lives intertwine throughout the years, Rostand spins a tale of romance and heartbreak that is wonderfully captured by Peter David and Kyle Baker.

In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com

The first of three satirical novels written by Cyrano de Bergerac. It was published posthumously in 1657 and, along with its companion work The States and Empires of the Sun, is considered one of the earliest published science fiction stories.

Cyrano's (the real guy) greatest work, model for much of Gulliver's Travels, Munchausen and so many other fantasy books. First published in the 17th Century (Paris, of course), this elegant satire takes its hero into the solar system, where he then can freely speak on matters of sex, religion and humanity. Join the big guy as he wanders about the solar system, meeting up with Beast-Men, the Solen people, and a rep from the Kingdom of Love.

Today,Cyrano de Bergerac is generally only remembered as a lovelorn eccentric with a big nose.Edmund Rostand's famous play inspired by the life of Cyrano is a worldwide box-office smash but the man behind the legend is more or less forgotten. The real Cyrano was sharper, funnier and, ironically, more modern than the romantic hero he inspired. A death-defying soldier-poet in the age of the musketeers, Cyrano's duelling skills were unparalleled, and his wit was every bit as keen as his sword's edge. He employed his sharp tongue and satirical pen in continued criticism of church and state -- his harrowing personal experiences had made him a staunch opponent of Louis XIV's bloody foreign policy--as well as in defiance of social norms -- Cyrano refused to acknowledge his likely homosexuality as a sin: brave and independent thinking that was years ahead of its time but which meant that his life was in constant danger. Part murder mystery, part literary detective story, Ishbel Addyman presents a fascinating insight into the heroically courageous, sparklingly witty and unfailingly good-humoured man behind the legend.