The story takes many twists and turns, but always lays out clues in advance. Anton Chekhov said, 'If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.' If you follow everything in the first half of the book, from 5:00 AM to 5:00 PM on the Saturday before Marine Corps Marathon, then you may be able to anticipate the fast-moving action in the second half, from 6:00 PM that Saturday to 8:00 AM on the Sunday of Marine Corps Marathon. This book is the first-ever fiction novel to involve Marine Corps Marathon, and you learn what it takes to train for and then run Marine Corps Marathon, but wait, there's more. Along the way, you learn quantum mechanics, astrophysics, the elusive "Theory of Everything," Internet history, a little bit of Russian language, a lot of chess, and how three families show their love in three very different ways.

A long time ago, Raven was pure white, like fresh snow in winter. This was so long ago that the only light came from campfires, because a greedy chief kept the stars, moon, and sun locked up in elaborately carved boxes. Determined to free them, the shape-shifting Raven resourcefully transformed himself into the chief's baby grandson and cleverly tricked him into opening the boxes and releasing the starlight and moonlight. Though tired of being stuck in human form, Raven maintained his disguise until he got the chief to open the box with the sun and flood the world with daylight, at which point he gleefully transformed himself back into a raven. When the furious chief locked him in the house, Raven was forced to escape through the small smokehole at the top — and that's why ravens are now black as smoke instead of white as snow. This engaging Tlingit story is brought to life in painterly illustrations that convey a sense of the traditional life of the Northwest Coast peoples. About the Tales of the People series: Created with the Smithsonian's National Museum of the American Indian (NMAI), Tales of the People is a series of children's books celebrating Native American culture with illustrations and stories by Indian artists and writers. In addition to the tales themselves, each book also offers four pages filled with information and photographs exploring various aspects of Native culture, including a glossary of words in different Indian languages.

Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in softcover format (ISBN 978-1-4766-6618-1).

The Missouri River Basin is home to thousands of bird species that migrate across the Great Plains of North America each year, marking the seasonal cycle and filling the air with their song. In time immemorial, Native inhabitants of this vast region established alliances with birds that helped them to connect with the gods, to learn the workings of nature, and to live well. This book integrates published and archival sources covering archaeology, ethnohistory, historical ethnography, folklore, and interviews with elders from the Blackfoot, Assiniboine, Mandan, Hidatsa, Arikara, and Crow communities to explore how relationships between people and birds are situated in contemporary practice, and what has fostered its cultural persistence. Native principles of ecological and cosmological knowledge are brought into focus to highlight specific beliefs, practices, and concerns associated with individual bird species, bird parts, bird objects, the natural and cultural landscapes that birds and people cohabit, and the future of this ancient alliance. Detailed descriptions critical to ethnohistorians and ethnobiologists are accompanied by thirty-four color images. A unique contribution, The Winged expands our understanding of sets of interrelated dependencies or entanglements between bird and human agents, and it steps beyond traditional scientific and anthropological distinctions between humans and animals to reveal the intricate and eminently social character of these interactions.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

In 1868, William Standing, a man shadowed by his history, is forced into thievery, taking a majestic horse that is half mustang, half Arabian. He returns to an unspeakable tragedy: his sister’s homestead ravaged by the Cheyenne Dog Soldiers, a tribe notorious for their fearsome warfare, leaving only the children taken captive. Driven by desperation, Standing tracks the Cheyenne, witnessing the aftermath of their raids. In an unexpected confrontation, Standing proves his mettle, rescuing the children but surrendering the black horse to his adversaries. Just as hope dawns, the horse’s original owners emerge, leading to Standing’s harsh sentencing: twenty years in Georgia Penitentiary. His escape sparks a relentless search for the scattered children, now with distant kin. Joining Buffalo Bill’s Wild West show offers Standing a guise to move from town to town, yet the Pinkertons’ pursuit is unyielding. His quest is a tumultuous ride through the heart of a man’s indomitable spirit and the wild tapestry of the American frontier.