This classic medieval romance of chivalry by an outstanding figure in a brilliant period of Georgian literature has affinities with both the Persian tradition and that of the West.

The first biography of Asian American activist and Black Panther Party member Richard Aoki

The Knight in the Panther Skin, Book One: Avtandil's QuestStorms gather on the far reaches of the Arabian frontier. The King grows old, and the throne lacks an heir. To avert disaster, he appoints his only daughter as regent, but just days after her coronation, a Black Knight appears from edges of the realm.He wears the skin of a panther and rides a midnight steed. When the King and his foster son Avtandil give challenge, the stranger butchers countless soldiers before vanishing before their eyes. Despite searching the empire, no one can find a trace of him or where he went. It's as if the man never existed.To learn the secret of the Knight in the Panther Skin, Avtandil is given an impossible quest. He must risk all he has ever loved and undertake a perilous journey to lands no Arabian has ever seen. Alone and lost to himself, he has no choice but to scour the edges of the world in search of his quarry. But first, he must overcome himself.If he succeeds, he will return home to the heart of his beloved. Yet, failure will bring all he has ever loved to ruin. His home will become no more than a wasteland of the hopes and dreams he once had. The problem is, no one knows how to find the Black Knight, or if he is a man or a monster?

Hughes's last collection of poems commemorates the experience of Black Americans in a voice that no reader could fail to hear—the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time. “Langston Hughes is a titanic figure in 20th-century American literature ... a powerful interpreter of the American experience.” —The Philadelphia Inquirer From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color. Here, Hughes's voice—sometimes ironic, sometimes bitter, always powerful—is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as "Prime," "Motto," "Dream Deferred," "Frederick Douglas: 1817-1895," "Still Here," "Birmingham Sunday." " History," "Slave," "Warning," and "Daybreak in Alabama."

The Eyes of the Panther by Ambrose Bierce is a collection of short stories by one of America's most celebrated authors. Known for his wit and biting satire, Bierce's stories explore themes of horror, the supernatural, and the absurd. Key Aspects of the Book "The Eyes of the Panther": Masterful Storytelling: Bierce's writing is renowned for its wit, intelligence, and ability to captivate readers. Exploration of Themes: The stories in this collection delve into themes such as horror, the supernatural, and human nature. Satire and Irony: Bierce is known for his use of satire and irony, which makes his stories both entertaining and thought-provoking. Ambrose Bierce was an American journalist, writer, and satirist who is best known for his short stories, including "An Occurrence at Owl Creek Bridge" and "The Devil's Dictionary." A veteran of the American Civil War, Bierce's experiences in the conflict heavily influenced his writing, which often explores themes of war, horror, and the supernatural. He disappeared in Mexico in 1913 and was never seen again.

The fairy tales and legends of olden China have in common with the "Thousand and One Nights" an oriental glow and glitter of precious stones and gold and multicolored silks, an oriental wealth of fantastic and supernatural action. And yet they strike an exotic note distinct in itself. The seventy-three stories here presented after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," probably represent the most comprehensive and varied collection of oriental fairy tales ever made available for American readers. There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject. Yet, like the "Arabian Nights," they will amply repay the attention of the older reader as well. Some are exquisitely poetic, such as "The Flower-Elves," "The Lady of the Moon" or "The Herd Boy and the Weaving Maiden"; others like "How Three Heroes Came By Their Deaths Because Of Two Peaches," carry us back dramatically and powerfully to the Chinese age of Chivalry. The summits of fantasy are scaled in the quasi-religious dramas of "The Ape Sun Wu Kung" and "Notscha," or the weird sorceries unfolded in "The Kindly Magician." Delightful ghost stories, with happy endings, such as "A Night on the Battlefield" and "The Ghost Who Was Foiled," are paralleled with such idyllic love-tales as that of "Rose of Evening," or such Lilliputian fancies as "The King of the Ants" and "The Little Hunting Dog." It is quite safe to say that these Chinese fairy tales will give equal pleasure to the old as well as the young. They have been retold simply, with no changes in style or expression beyond such details of presentation which differences between oriental and occidental viewpoints at times compel. It is the writer's hope that others may take as much pleasure in reading them as he did in their translation.