When the Man in the Clouds creates a beautiful painting, people begin to make a pilgrimage up his mountain to see it for themselves--the misfits find it especially comforting. An art expert tells the artist that it is very valuable and he begins to think about differently, determined to protect it rather than share it. Finally, he sees that his greed and possessiveness has changed the way he sees the picture so he tosses it into the fire and looks out the window with fresh eyes, seeing again the beauty that enthralled him in the first place.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy. A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE “Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book Review For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water. This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.” In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

Perceiving a hole in evangelical biblical theology that should be filled with a robust treatment of the book of Daniel, James Hamilton delves into the book's rich contribution to the Bible's unfolding redemptive-historical storyline. This New Studies in Biblical Theology volume addresses key questions and examines the literary structure, visions, heavenly beings and typological patterns.

Adelaide Proctor is a young woman with her head in the clouds, longing for a real-life storybook hero to claim as her own. But when a husband-hunting debacle leaves her humiliated, she interviews for a staid governess position on a central Texas sheep ranch and vows to leave her romantic yearnings behind. When Gideon Westcott left his privileged life in England to make a name for himself in America's wool industry, he never expected to become a father overnight. And five-year-old Isabella hasn't uttered a word since she lost her mother. The unconventionality of the new governess concerns Gideon--and intrigues him at the same time. But he can't afford distractions. He has a ranch to run, a shearing to oversee, and a suspicious fence-cutting to investigate. When Isabella's uncle comes to claim the child--and her inheritance--Gideon and Adelaide must work together to protect Isabella from the man's evil schemes. And soon neither can deny their growing attraction. But after so many heartbreaks, will Adelaide be willing to get her head out of the clouds and put her heart on the line?

Originally published: Australia: Allen & Unwin, 2010.

Fourteen stories about the strength and passion of today’s American Indian—including six from the acclaimed Leslie Marmon Silko. Anthropologists have long delighted us with the wise and colorful folktales they transcribed from their Indian informants. The stories in this collection are another matter altogether: these are white-educated Indians attempting to bear witness through a non-Indian genre, the short story. Over a two-year period, Kenneth Rosen traveled from town to town, pueblo to pueblo, to uncover the stories contained in this volume. All reveal, to varying degrees and in various ways, the preoccupations of contemporary American Indians. Not surprisingly, many of the stories are infused with the bitterness of a people and a culture long repressed. Several deal with violence and the effort to escape from the pervasive, and so often destructive, white influence and system. In most, the enduring strength of the Indian past is very much in evidence, evoked as a kind of counterpoint to the repression and aimlessness that have marked, and still mark today, the lives of so many American Indians.