Arthur Porter tells his own story, beginning with his boyhood in Sierra Leone, his rise through the medical, corporate and political arenas in Canada, through to the confines of La Joya Prison where he is detained on charges of fraud.

Collects Old Man Quill #1-6. Peter Quill finally grew up. He used to be Star-Lord, but it's been some time since he's gone by that name. Taking over for his father as the emperor of Spartax, Quill put a life of spacefaring adventure behind him for one of leadership and responsibility. But things didn't go as planned. Decades have passed, and Peter is haunted by tragedy. Down and out, his existence means nothing - until the former Guardians of the Galaxy drag him out of his funk for one last mission! The heist of a lifetime - and Quill's harrowing last shot at redemption - takes him back to a transformed Earth. But the Wastelands are a dangerous place, with Gladiator and the Universal Church of Truth closing in! And the shadow of Doom hangs over the Guardians' every move.

License to Quill is a page-turning James Bond-esque spy thriller starring William Shakespeare and Christopher Marlowe during history's real life Gunpowder Plot. The story follows the fascinating golden age of English espionage, the tumultuous cold war gripping post-Reformation Europe, the cloak-and-dagger politics of Shakespeare's England, and lastly, the mysterious origins of the Bard's most haunting play: Macbeth. You won't want to miss this fast-paced historical retelling!

Flogging the Quill is a one-book remedy for a host of beginning novelist ailments, a tune-up for published authors, and a resource for editors. Rich with advice and coaching from editor/author Ray Rhamey, Flogging the Quill’s primary focus is to lift a novel manuscript to a publishable, professional level. The book’s sections cover storytelling, determining what drives a plot, the six vital story ingredients, and tools for spotting shortcomings in a narrative. Writers also learn experiential description, how to handle the tricky character-description hurdle, staging, and overwriting. The ""when to tell, how to show"" lesson has been praised by literary agents and college teachers. ""I’ve read many submissions that were near-misses. If the writers had had the benefit of this book, they’d be published right now."" —Editor and publisher, Laura Abbott ""[I]t’s a must-have for any novelist."" —Bestselling author, Tess Gerritsen

More than ever in this completely updated edition, The Elements of Expression helps word users "light up the cosmos or the written page or the face across the table" as they seek the radiance of expressiveness—the vivid expression of thoughts, feelings, and observations. Nothing kills radiance like the murky, generic language dominating today's talk, airwaves, and posts. It tugs at our every sentence, but using it to express anything beyond the ordinary is like flapping the tongue to escape gravity. The Elements of Expression offers an adventurous and inspiring flight into words that truly share what's percolating in our minds. Here writers, presenters, students, bloggers—even well intentioned "Mad Men"—will discover language to convey precise feelings, move audiences, delight and persuade. No snob or scold, the acclaimed word-maven Arthur Plotnik explores the full range of expressiveness, from playful "tough talk" to finely wrought literature, with hundreds of rousing examples. Confessing that we are all "like a squid in its ink" when first groping for luminous expression, he shines his amiable wit on the elements leading, ultimately, to language of "fissionable intensity."

In 1957, Farley Mowat shipped out aboard one of Newfoundland’s famous coastal steamers, tramping from outport to outport along the southwest coast. The indomitable spirit of the people and the bleak beauty of the landscape would lure him back again and again over the years. In the process of falling in love with a people and a place, Mowat also met the woman who would be the great love of his life. A stunningly beautiful and talented young artist, Claire Wheeler insouciantly climbed aboard Farley’s beloved but jinxed schooner as it lay on the St. Pierre docks, once again in a cradle for repairs, and changed both their lives forever. This is the story of that love affair, of summers spent sailing the Newfoundland coast, and of their decision to start their life together in Burgeo, one of the province’s last remaining outports. It is also an unforgettable portrait of the last of the outport people and a way of life that had survived for centuries but was now passing forever. Affectionate, unsentimental, this is a burnished gem from an undiminished talent. I was inside my vessel painting the cabin when I heard the sounds of a scuffle nearby. I poked my head out the companionway in time to see a lithesome young woman swarming up the ladder which leaned against Happy Adventure’s flank. Whining expectantly, the shipyard dog was endeavouring to follow this attractive stranger. I could see why. As slim and graceful as a ballet dancer (which, I would later learn, was one of her avocations), she appeared to be wearing a gleaming golden helmet (her own smoothly bobbed head of hair) and was as radiantly lovely as any Saxon goddess. I invited her aboard, while pushing the dog down the ladder. “That’s only Blanche,” I reassured my visitor. “He won’t bite. He’s just, uh . . . being friendly.” “That’s nice to know,” she said sweetly. Then she smiled . . . and I was lost. —From Bay of Spirits