In his account of World War II, historian Jon Lewis has selected 300 first-hand accounts, from Heinz Guderian rolling his panzer tank into Poland to VJ Day in London and New York. More than a eyewitness chronicle, this collection gives the reader an insight into how the repercussions from the war shaped our modern world, and how nothing from geo-politics to rock 'n' roll can really be understood without considering it.

The spectre of the Great War still haunts us. No other conflict so dramatically illustrates the waste of life, and the slaughter of innocents, as that of 1914-18. And none has so dramatically shaped the modern world: the Russian Revolution, the rise of Hitler, the break-up of Empire, the supremacy of America and World War II all stem from the four years of the 'war to end all wars'. Here is the eye-witness chronicle of that war, from the trenches of Flanders to the staff rooms of the Imperial Germany Army, from T. E. Lawrence in the desert to the 'Red Baron' in the air, from Land Girls in England to German U-boat crews in the Atlantic, it leaves nothing out. And if all the horror of the war fought by the Tommies in the trenches is captured, so too are the machinations of the 'top brass' and politicians.

This is the entire story of the Third Reich at war, covering all the Wehrmacht's major battles and campaigns of World War II, among them Barbarossa, Stalingrad, the Battle of the Bulge, the bitter fighting for Italy, Greece and the Mediterranean, and the final retreat to Berlin.

A firsthand history of World War II is told from the eyewitness perspectives of fighters from both sides, including reports from Erwin Rommel, Edward R. Murrow, and Primo Levi.

An important new history of air and sea power in World War II and its decisive role in Allied victory.

Every short story in this wonderfully varied collection has one thing in common: each features some alteration in history, some divergence from historical reality, which results in a world very different from the one we know today. As well as original stories specially commissioned from bestselling writers such as James Morrow, Stephen Baxter and Ken MacLeod, there are genre classics such as Kim Stanley Robinson's story of how World War II atomic bomber the Enola Gay, having crashed on a training flight, is replaced by the Lucky Strike with profoundly different consequences. Praise for the editors: 'Mr Watson wreaks havoc with what is accepted - and acceptable.' The Times 'One of Britain's consistently finest science fiction writers.' New Scientist