Sunita is the younger daughter of the Rishi family. She's just completed graduation and her parents are keen on arranging her marriage to Akshay Malhotra. She's dead set against this and fights tooth and nail against it. Sunita wants to study further and have a career in interior design. But her parents want her to get married and become a housewife. The tall, dark and handsome Akshay is also extremely rich. He's highly educated and quite a catch. Only, he's also against the idea of an arranged wedding. But a natural curiosity leads him to find out more about Sunita. He's hooked the moment he sees her. But, the young lady is out to stop the match by hook or by crook. It looks like Sunita is not only fighting her parents and Akshay, but also her growing attraction for the man himself.

The Maheshwaris are back, a little secretly this time!What do you do if you find a man who looks like chocolate, speaks like warm syrup, looks at you like you were the most precious cake ever created, and he can bake too? You marry him, even if in secret.Ruma Malhotra falls head over heels and a little more in love with Lakshman Maheshwari, but her parents insist that she marry a rich businessman of their choice. When Ruma's only option is to marry Lakshman in secret, she is left torn between her love for her parents and her passion for Lakshman. Is a secret marriage the solution or will it lead the way to a public disappointment?Lakshman Maheshwari falls in love with Ruma Malhotra the first time he sets his eyes on her in Ranveer's office. Will he agree to marry Ruma in secret even if it means betraying his parents?Psst... Those who have read THE MALHOTRA BRIDE might be happy to reconnect with Sunita & Akshay Malhotra in this one. *MARRIAGES MADE IN INDIA is a five-novella series that revolves around the characters you have met in The Runaway Bridegroom.

The Laughing Ghosts is a realization of the self for Meenu poised to find her own truth of ghosts believed to be meandering around and looking up to her to reveal their side of the story. A stray incidence of violence in the vicinity of grown up Meenu, a mother of two children pushes her to reflect upon her joyous childhood which she shared with her neighborhood friends and cousins only to realize that even in those nascent years of her life women around her were suffering however she did find an answer and carried a learning which was kept reserved to her. Each time in her quest as a little girl to find an anchor in a woman from her surroundings to help her identify the very purpose of her existence led to their sad and untimely demise. Not ready to be a slave to the belief of the society attaching a meager and humble purpose to the existence of women i.e. to only live for others, she tries to find her own answers to the questions which no one cared to ask. Eventually she gathered the strength to face the reality with the help of goals of self preservation and salvation by looking around and seeking solace from the stories of challenges faced by women very close to her like her grandmother, mother and aunts. That made her harbor the value that it is important to step back and consciously quit to gather the strength to withstand the eventualities of life. The ghosts of the guilt haunt only the slaved souls but cannot withstand an indomitable spirit that is determined to find its own truth; rather they stand by it to be a part of the laughter of triumph and salvation. Therefore in the situations of self doubt and enigma the inevitable reflections from the past help to purposefully connect with the present to find your own answers. This lesson was true then and shall continue to be the truth.

Seventy years on, the Partition of India fades from memory. Can it be restored?

Based On The Census Report For The Punjab, 1883, By The Late Sir Denzil Lbbetson And The Census Report For The Punjab, 1892, By Sir Edward Maclagan And Complied By H.A. Rose.

The attractions Roopa experienced and the fantasies she entertained as a teen shaped a male imagery that ensconced her subconscious. Insensibly, confident carriage came to be associated with the image of maleness in her mind-set. Her acute consciousness of masculinity only increased her vulnerability to it, making her womanliness crave for the maleness for its gratification. However, as her father was constrained to help her in becoming a doctor, she opts to marry, hoping that Sathyam might serve her cause though the persona she envisioned as masculine, she found lacking in him. But as he fails to go with her idea, she becomes apathetic towards him, and insensibly sinks into her friend Sandhya’s embrace, for lesbian solace. Soon, in a dramatic sequence of events, Tara, a suave call girl, tries to rope Roopa into her calling; Roopa herself loses her heart to Sandhya's beau Raja Rao, and Prasad, her husband’s friend falls for her. And as Prasad begins to induce Sathyam to be seduced by whores to worm his way into her affections, Roopa finds herself in a dilemma. However, as fate puts Raja Rao into Roopa’s arms in such a way as to lend novelty to fiction, this ‘novel’ nuances man-woman chemistry on one hand, and portrays woman-woman empathy on the other. Who said the novel is dead; 'Benign Flame' raises the bar as vouched by - The plot is quite effective and it’s a refreshing surprise to discover that the story will not trace a fall into disaster for Roopa, given that many writers might have habitually followed that course with a wife who strays into extramarital affairs - Spencer Critchley, Literary Critic, U.S.A. The author has convinced the readers that love is something far beyond the marriage tie and the fulfillment of love can be attained without marriage bondage. The author has achieved a minor revolution without any paraphernalia of revolution in the fourth part of the novel – The Quest, India. The author makes free use of – not interior monologue as such, but – interior dialogue of the character with the self, almost resembling the dramatic monologue of Browning. Roopa, Sandhya, Raja Rao and Prasad to a considerable extent and Tara and Sathyam to a limited degree indulge in rationalization, trying to analyse their drive sand impulses – The Journal of Indian Writing in English. Overall, Benign Flame is a unique attempt at exploring adult relationships and sexuality in the contemporary middle-class. All the characters come alive with their cravings and failings, their love and their lust. Benign Flame blurs the lines and emphasizes that life is not all black and white - it encompasses the full spectrum of living - Indian Book Chronicle.