Every generation has created its own interpretation of Stonehenge, but rarely do these relate to the physical realities of the monument. Rodney Castleden begins with those elements which made possible the building of this vast stone circle: the site, the materials and the society that undertook the enormous task of transporting and raising the great vertical stones, then capping them, all to a carefully contrived plan. What emerges from this detailed examination is a much fuller sense of Stonehenge, both in relation to all the similar sites close by, and in terms of the uses to which it was put. Castleden suggests that there is no one 'meaning' or 'purpose' for Stonehenge, that from its very beginning it has filled a variety of needs. The Romans saw it as a centre of resistance; the antiquaries who 'rediscovered' it in the seventeenth century saw a long line of continuity leading back into the nation's past. The archaeologists see it as a subject for rational, scientific investigation; The National Trust and English Heritage view it as an unfailing magnet for visitors; UNESCO has declared it a World Heritage Site, the cultural property of the whole of humanity. Lost to view amid competing interests over the millenia are the uses it has served for those who live within its penumbra, for whom Stonehenge has never been 'lost' or 'rediscovered'. It exists in local myth and legend, stretching back beyond history.

Icon of the New Stone Age, sculptural and engineering marvel, symbol of national pride: there is nothing quite like Stonehenge. These great sarsen and bluestone slabs, arranged with simple, graphic genius, attract visitors from across the world. The monument stands silent in the face of the questions its unlikely existence raises: who built it? Why? How? There has been endless speculation about why Stonehenge was built, inspiring theories ranging from the academically credible to the improbable, but far less investigation into how. In the millennia since its creation, pieces of Stonehenge have been knocked over by heavy machinery, found their way to Florida (and back again), and been exposed to radioactive sodium, but the seemingly impossible endeavour of raising the stones with Neolithic technology has remained inexplicable until now. In the past decade ground-breaking discoveries, made possible by cutting-edge scientific techniques, have traced the precise provenance of the bluestones in Wales, but can we plot their journeys to the Salisbury Plain? And how might teams of labourers lacking machinery or even pack animals have dragged them 150 miles to the site? How did they carve joints into the sarsen boulders, among the hardest stones in the world, and then raise them into place? Mike Pitts draws on a lifetimes study to answer these questions, revealing how Stonehenge stood not in austere isolation, as we see it today, but as part of a wider world, the focus of a megalithic cosmology of belief, ritual and creativity.

This book is an imaginative exploration of a place that has fascinated, intrigued and perplexed visitors for centuries. Instead of seeing Stonehenge as an isolated site, the author sets the stones within a wider landscape and explores how use and meaning have changed from prehistoric times right through to the present. Throughout the millennia, the Stonehenge landscape has been used and re-used, invested with new meanings, and has given rise to myths and stories. The author creatively explores how the landscape has been appropriated and contested, and invokes the debates and experiences of people who have very different and often conflicting experiences of the same place. Today, heritage managers, archaeologists, local people, free festivallers, and druids come to the place with entirely different understandings and agendas. The book demonstrates that the creation of spaces and places for people to express divergent viewpoints is powerfully constrained by social and political forces that allow some voices to be heard while others are marginalized. With dialogues and illustrations that range from the conventional to the cartoon strip, this multi-vocal book not only presents a wide range of views in an innovative way, but provides important new insights on how people shape and are shaped by landscape.

Castleden suggests that there is no one `meaning' or `purpose' for Stonehenge, that from its very beginning it has filled a variety of needs.

Three against an Empire! Ason: Prince of an ancient house, intent on restoring the keystone of his father's power, braves the limits of the land-rimmed sea to sail North, through the cold fog, to the icy island where, with heroic effort, the key to victory may be found. Inteb: Former envoy of the Pharoah, reluctant voyager to the forbidden island of Yerni, armed only with his arcane knowledge and his loyalty to Ason. Naikeri: Pround daughter of the Albi, she has never known a warrior like Ason, nor a world like the one she helps him build-a world that will center on one of the greatest monuments of all time... STONEHENGE The exciting saga of the creation of a legend! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Now available in a new deluxe, eye-catching mega package, Build Your Own Stonehenge includes 16 Stonehenge rocks, a beautifully landscaped map, and 32- page guide explaining the mysterious building of this ancient wonder. Explore and replicate the magic of this extraordinary monument right at your desktop!

Paul D. Burley's Stonehenge: As Above, So Below is a game changer. This book identifies the original design and purpose of the Stonehenge Ritual Landscape. It will change your understanding of the people who built the first and largest monument and many other mid-Neolithic structures that remain vital to functioning of this sacred landscape. You will discover the Stonehenge Landscape is the oldest and best preserved example of astronomically-related sacred symbolism ever constructed. In addition, Burley describes the purpose of heretofore enigmatic megalithic Stonehenge. His discovery was made while researching the objective of four stones inside the henge yet unnoticed by thousands of people viewing the monument each day. They are the Station Stones. Overshadowed by circles of much larger stones, the Station Stones justify the entire monument itself. They are the key to understanding the annual conception of new life by Earth Goddess and Sky King. Stonehenge: As Above So Below includes more than 90 illustrations. It is a major breakthrough unveiling a new paradigm for how Stonehenge was used 5500 years ago, and how we should view it today. Paul D. Burley is a researcher of ancient and indigenous symbolism. His experience includes almost 30 years as a registered engineer and environmental geologist. He is the author of The Sacred Sphere. "The best book on Stonehenge I have read for a very long time. Fresh and original throughout, thoroughly researched, convincing and thought provoking, Stonehenge: As Above, So Below opens new doors on the magic and the mystery of our most ancient past." Graham Hancock, Author Fingerprints of the Gods