From the bestselling author of Horrible Histories... The day Queen Mary Tudor came to town was the most terrifying day of young Meg's life. The Queen is also known as 'Bloody Mary' because she has anyone who doesn't go to church burned. Everyone wants to impress her, and what better way than by burning a witch. But the "witch" in question, Old Nan, is more clever and cunning than the townspeople who hunt her... Terry Deary's Tudor Tales explore the infamous world of the Tudors through the eyes of children who could have lived at the time. These stories feature real people and take place in some of the most recognisable Tudor settings. This new edition features notes for the reader to help extend learning and exploration of the historical period.

From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps _______________ Ideal for readers aged 7+ The day Queen Mary Tudor came to town was the most terrifying day of young Meg's life. The Queen is also known as 'Bloody Mary' because she has anyone who doesn't go to church burned. Everyone wants to impress her, and what better way than by burning a witch. But the “witch" in question, Old Nan, is more clever and cunning than the townspeople who hunt her... Terry Deary's Tudor Tales explore the infamous world of the Tudors through the eyes of children who could have lived at the time. These stories feature real people and take place in some of the most recognisable Tudor settings. This new edition features notes for the reader to help extend learning and exploration of the historical period. _______________ 'Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical' - Books For Keeps

This book—along with its companion volume Mary I in Writing: Letters, Literature, and Representations—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.

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