The Magnificent Ride examines the social and religious dimensions of the Hussite revolutionary movement in 15th-century Bohemia. It argues that ’the magnificent ride’ was, in fact, the first reformation, and not merely a precursor to the reformations of the 16th century. The religious revival which had begun in Prague in the later middle ages reached its zenith in the period between Jan Hus and the Council of Basel. This book reconstructs the Hussite myth and shows how that myth evolved into the historical phenomenon of heresy. Acts of heretical practice in Bohemia, condemnation of Jan Hus, defiance of ecclesiastical authority and attempts by the official church to deal with the dissenters are fascinating chapters in the history of late medieval Europe.

The pervasiveness of the Christian religion has long been treated as one of the key features of medieval society. Indeed, Europe in the Middle Ages is often described simply as a Christian culture. Yet what do we mean when we say that medieval Europe was a Christian society, and what did it mean to be a Christian in the Middle Ages? These questions are fundamental to any understanding of the Middle Ages, yet the variety of theoretical approaches and conclusions represented in this carefully selected and provocative collection of key works in the field highlights the complexity of the answers. Introducing students to medieval Christianity, James L. Halverson presents a rich array of readings that offers a variety of ways to study the history of religion within a chronological setting. His opening chapter and introductions to each section and selection frame the essays and provide a strong conceptual framework to build upon. Making it clear that scholars have approached religion from many perspectives and used many different methodologies, this collection presents some of the best scholarship of religion as culture and practice, emphasizing the ongoing attempt to understand the social and cultural aspects of medieval Christianity. Contributions by: Rudolf Bell, Constance Brittain Bouchard, Peter Brown, Marcus Bull, Caroline Walker Bynum, Mark R. Cohen, Georges Duby, Eamon Duffy, Joan Ferrante, Richard Fletcher, Katherine L. French, Thomas A. Fudge, Herbert Grundmann, James L. Halverson, Karen Louise Jolly, Lester Little, Rob Means, Bernd Moeller, Andrew P. Roach, Jane Tibbets Schulenburg, Keith Thomas, and Ian Wood.

In early fifteenth-century Prague, disagreements about religion came to be shouted in the streets and taught to the laity in the vernacular, giving rise to a new kind of public engagement that would persist into the early modern era and beyond. The reforming followers of Jan Hus brought theological learning to the people through a variety of genres, including songs, poems, tractates, letters, manifestos, and sermons. At the same time, university masters provided the laity with an education that enabled them to discuss contentious issues and arrive at their own conclusions, emphasizing that they held the freedom to make up their own minds about important theological issues. This marketplace of competing religious ideas in the vernacular emerged in Bohemia a full hundred years before the Reformation. In Preachers, Partisans, and Rebellious Religion, Marcela K. Perett examines the early phases of the so-called Hussite revolution, between 1412, when Jan Hus first radicalized his followers, and 1436, the year of the agreement at the Council of Basel granting papal permission for the ritual practice of the Utraquist, or moderate Hussite, faction to continue. These were years during which the leaders of competing reform movements needed to garner the laity's support and employed the vernacular for that purpose, translating and simplifying basic theological arguments about the Bible, the church's ritual practice, and authority in the church. Perett illustrates that the vernacular discourse, even if it revolved around the same topics, was nothing like the Latin debates on the issues, often appealing to emotion rather than doctrinal positions. In the end, as Preachers, Partisans, and Rebellious Religion demonstrates, the process of vernacularization increased rather than decreased religious factionalism and radicalism as agreement about theological issues became impossible.

This unique and meticulously edited collection of the greatest works by Emerson Hough includes: The Girl at the Halfway House_x000D_ The Law of the Land _x000D_ Heart's Desire_x000D_ The Way of a Man_x000D_ 54-40 or Fight_x000D_ The Man Next Door_x000D_ The Magnificent Adventure_x000D_ The Sagebrusher_x000D_ The Covered Wagon_x000D_ Emerson Hough (1857–1923) was an American author best known for writing western stories, adventure tales and historical novels. His best known works include western novels The Mississippi Bubble and The Covered Wagon, The Young Alaskans series of adventure novels, and historical works The Way to the West and The Story of the Cowboy._x000D_

During the late Middle Ages, a considerable number of men in Germany and Switzerland were executed for committing sodomy. Even in the seventeenth century, simply speaking of the act was cause for censorship. Here, in the first history of sodomy in these countries, Helmut Puff argues that accusations of sodomy during this era were actually crucial to the success of the Protestant Reformation. Drawing on both literary and historical evidence, Puff shows that speakers of German associated sodomy with Italy and, increasingly, Catholicism. As the Reformation gained momentum, the formerly unspeakable crime of sodomy gained a voice, as Martin Luther and others deployed accusations of sodomy to discredit the upper ranks of the Church and to create a sense of community among Protestant believers. During the sixteenth century, reactions against this defamatory rhetoric, and fear that mere mention of sodomy would incite sinful acts, combined to repress even court cases of sodomy. Written with precision and meticulously researched, this revealing study will interest historians of gender, sexuality, and religion, as well as scholars of medieval and early modern history and culture.

"Loners. Drifters. Men bent on vengeance. Laconic in manner, economical in gesture, slow to anger but deadly when provoked. Begun unofficially in 1956 with Seven Men From Now, made under the auspices of John Wayne's Batjac Productions, director Budd Boettinger and actor Randolph Scott's "Ranown Cycle"would eventually encompass six films, of which Ride Lonesome is both the best, and representative of the whole cycle. Visually and aesthetically, Ride Lonesome more than justifies New York Times critic Richard T. Jameson's assessment of the entire Ranown cycle as "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking (rivaled only by Val Lewton's 1940s horror films for RKO)." Shot in a mere seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism, at once epic and austere. Running a tight 73 minutes, Boetticher turns traditional Western tropes into rituals of re-enactment and revenge"--

"Riders of the Purple Sage" tells the story of Jane Withersteen and her battle to overcome persecution by members of her polygamous Mormon fundamentalist church. A leader of the church, Elder Tull, wants to marry her. Withersteen gets help from a number of friends, including Bern Venters and Lassiter, a notorious gunman and killer of Mormons. She struggles with her "blindness" to the evil nature of her church and its leaders, and tries to keep Venters and Lassiter from killing the adversaries who are slowly ruining her. "The Rainbow Trail" takes place ten years after events of Riders of the Purple Sage. The wall to Surprise Valley has broken, and Jane Withersteen is forced to choose between Lassiter's life and Fay Larkin's marriage to a Mormon. The Rainbow Trail contrasts the older Mormons with the rising generation of Mormon women who will not tolerate polygamy and Mormon men who do not seek it.