The Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book’s interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Magic also outlines how research on this subject could develop in the future, highlighting under-explored subjects, unpublished sources, and new approaches to the topic. It is the ideal book for both established scholars and students of medieval magic.

An introduction to the mythological world of the Greeks and the Romans, combined with a chronology of myths and a dictionary of key characters, objects, and events. Handbook of Classical Mythology offers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths. Written by a foremost mythologist, the book begins by exploring the sources and landscapes from which the myths emerged. It then provides a richly detailed timeline of mythic episodes from the creation of the cosmos to the end of the Heroic Age—plus an illustrated mythological dictionary listing every significant character, place, event, and object. Whether exploring the world that gave rise to ancient mythology or researching a specific piece of the whole, the handbook is the best introduction available to the extraordinary cast of these tales (gods, nymphs, satyrs, monsters, heroes) and the natural and supernatural stages upon which their fates are played out.

The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.

The Caduceus, two entwined snakes set upon a rod, was the ancient symbol of Hermes, the Greek god of merchants. Today, it is a common and popular symbol of the medical and allied professions. This book traces the use of the caduceus symbol and answers the question of how it came to be the symbol of medicine. The work begins with a discussion of the symbol's origin as the magic wand of Hermes/Mercury, the Greco-Roman messenger of the gods, and the later identification of Hermes with the Egyptian god Thoth, whose characteristics included wisdom and eloquence. In the 16th and 17th centuries, Friedlander says, the caduceus was associated with wise and eloquent individuals, including some physicians. However, in the early 19th century it was adopted by a medical publisher as a sign, not that he published medical books, but that he was a commercial deliverer of information. Friedlander goes on to indicate that in 1902 the sign was adopted by the U.S. Army as the insignia of its Medical Department. The sign became widely recognized after the exposure it had during World War I. It became frequently used and, once popular, bred popularity. This book will be of interest to those in medical fields, medical historians, and those interested in symbology and iconology.

Artistic representations were of significant value to early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues that images provided visual representations of vital religious and theological truths crucial to the faithful and projected concepts beyond the limitations of the written and spoken word. Images of Christ performing miracles or healings functioned as advertisements for Christianity and illustrated the nature of Christ. Using these images of Christ, Jefferson examines the power of art, its role in fostering devotion, and the deep connection between art and its elucidation of pivotal theological claims.