Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

This history and catalog of the movie theaters of Illinois follows their evolution from the early opera houses, to the storefront nickelodeons, to the awe-inspiring movie palaces, to the post--World War II theaters and the advent of the multiplex. Each theater has its own story, and together these stories make up a fascinating history of cinema viewing in Illinois. This richly illustrated book--the first dealing exclusively with Illinois theatres-- contains nearly 3,000 descriptions of historic movie houses, from the early 1880s to 1960. The alphabetically arranged entries, which include such information as the theater's name, location, number of seats, and the dates it opened and closed, cover cities and towns from Abingdon to Zion, including Chicago and its surrounding suburbs. The book opens with a history of the movie house, beginning with silent movies shown on walls and ending with the multiplex era. It also includes a chapter on television's impact and information on renovated historic theatres in the state. Appendices include lists of Illinois-operated movie theatre circuits, theatre websites and include a bibliography.

Book Two in Robert Westbrook's epic "Hollywood Noir" Torch Singer Thriller series. “An Almost Perfect Ending ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion.” Daily Mail Book Two, An Almost Perfect Ending opens with sultry heroine Sonya Saint-Amant at the height of her career—a glittering, triumphant appearance at Ciro’s, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career . . . if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder . . . “Pacy and unstoppable, the second book in the The Torch Singer series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go.” Evening Standard “The Torch Singer exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down . . . and watching it happen is not just compulsive—it’s addictive and unmissable.” Event Magazine “Robert Westbrook is a born storyteller and a bit of a magician.” Ally Sheedy Ambition, blackmail, murder . . . THE TORCH SINGER is an unforgettable journey through the shadowlands of fame.

In 1969 a man walked upon the moon, the Woodstock music festival was held in upstate New York, Richard Nixon was sworn in as the president of the United States, the Beatles made their last public appearance, as did, after a fashion, Judy Garland, Dwight D. Eisenhower, Boris Karloff, Joseph P. Kennedy, and Jack Kerouac, all of whom passed away that year. Something else passed away that year as well. In early July, just days before the moon landing, a low-budget exploitation movie, EasyRider, was released. It’s astonishing and wholly unexpected success almost single-handedly destroyed the Hollywood studio system which had been controlling the entertainment industry for half a century. Its success would ultimately change the way movies would be made, and who made them, as well as how those movies looked and sounded, and which audiences those movies would be made for. Additionally, the film’s innovative techniques; including extensive location shooting, unexplained editing juxtapositions, improvised dialogue, and innovative use of popular music, would change the vocabulary and language of cinema forever. Easy Rider: 50 Years of Looking for America will tell the story of Easy Rider on the fiftieth anniversary of its explosive release. Through published interviews, previously undiscovered archival materials, and new reflections by the participants, the whole story of Hollywood’s first true counterculture movie will be revealed for the first time ever.

Author of the Howard Moon Deer Mysteries “A brilliant, engaging and wholly unpredictable story of courage, survival and self-reinvention . . . I was completely taken by it . . .Interesting, complicated and wholly engaging characters. [Westbrook] is obviously a born storyteller and a bit of a magician.”–Ally Sheedy TORCH SINGER is an epic drama of Hollywood in its Golden Age: the rise and fall of Sonya Saint-Amant, a singer who schemes her way to fame and riches, breaking all the rules. An Overnight Sensation, Book One, starts in 1956 with a scandalous love nest murder, then rewinds to Sonya at the age of 17 in 1940, a dreamy girl in the Royal Box of the Krakow Opera. When Sonya’s mother is hanged by the Nazis, she must grow up quickly. Using her wits and beauty, Sonya escapes Poland with the help of partisan fighters and makes her way to London during the Blitz. In 1943, she finagles a passage to America on the Mauretania, a dangerous North Atlantic crossing on a troop ship full of men. As the ship steams north into Arctic waters evading enemy submarines, Sonya almost wins at a high-stakes game of love . . . only to arrive in New York alone and desperate, determined to outwit fortune and become a star. An Overnight Sensation is a dark comedy of manners: a tale of murder, blackmail, fortune-hunters and dreamers, and the price paid for living large.

Hollywood 1963-1976 chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces. A broad overview and analysis of one of American film's most important and innovative periods Offers a new, more expansive take on the accepted canon of the era Includes films expressing ideologies contrary to the misremembered leftist slant Explores and fully contextualizes the dominant genres of the 60s and 70s