Reproduction of the Vol. 3, No. 3 (July 1933) issue of Magic carpet magazine, including advertising pages.

This volume in the early fantasy and adventure magazine features work by "Weird Tales" regulars Seabury Quinn ("The Tiger's Cubs"), E. Hoffmann Price ("Pale Hands"), Edmond Hamilton ("The Snake-Men of Kaldar"), and Paul Ernst ("Death in My House") as well as works by H. Bedford-Jones ("Berber Loot"), K.B. Montague ("The Young Men Speak"), Warren Hastings Miller ("King's Assassins") Arreph El-Khoury ("A Woman of the Hills"), James W. Bennett ("When China Buries Its Dead"), and Hung Long Tom ("The Pool"). Cover by Margaret Brundage.

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think . . .

In July 1923, less than three years after Westinghouse station KDKA signed on, company engineer Frank Conrad began regular simulcasting of its programs on a frequency in the newly-discovered shortwave range. It was an important event in a technological revolution that would make dependable worldwide radio communication possible for the first time. In subsequent years, countless stations in practically all countries followed suit, taking to shortwave to extend reception domestically or reach audiences thousands of miles away. Shortwave broadcasting would also have an important role in World War II and in the Cold War. In this, his fourth book on shortwave broadcast history, the author revisits the period of his earlier work, On the Short Waves, 1923-1945, and focuses on the stations that were on the air in those early days. The year-by-year account chronicles the birth and operation of the large international broadcasters, as well as the numerous smaller stations that were a great attraction to the DXers, or long-distance radio enthusiasts, of the time. With more than 100 illustrations and extensive notes, bibliography and index, the book is also a valuable starting point for further study and research.

This will be the basic tool for researchers studying the 100-year history of science fiction, fantasy, and weird fiction magazines. Reference Books Bulletin