As the old gods awaken and satrapies splinter, the Chromeria races to find the only man who can still end a civil war before it engulfs the known world in the third novel of the NYT bestselling Lightbringer series by Brent Week. As the old gods awaken and satrapies splinter, the Chromeria races to find the only man who can still end a civil war before it engulfs the known world. But Gavin Guile has been captured by an old enemy and enslaved on a pirate galley. Worse still, Gavin has lost more than his powers as Prism -- he can't use magic at all. Without the protection of his father, Kip Guile will face a master of shadows as his grandfather moves to choose a new Prism and put himself in power. With Teia and Karris, Kip will have to use all his wits to survive a secret war between noble houses, religious factions, rebels, and an ascendant order of hidden assassins called The Broken Eye. Read the third book in Brent Weeks's blockbuster epic fantasy series that had Peter V. Brett saying, "Brent Weeks is so good, it's starting to tick me off!".

a world where your are suppose to be a warrior of some kind and never understood why you and why a life full of misery when your parents are dead and you are the only one of your kind remaining that's the life of three boys. deucalion, leviathan and maelstrom are three boys who have hated they lives and only live for that one moment where they an make the man who took all their hopes and dreams away from them pay but when that day comes will grief and simpathy robe them of the oppertunity.

Teldin Moore's quest for the truth about his mysterious cloak leads him on a search for a fal, a genius slug, but his odyssey traps him between Scro forces and an evil behemoth as he draws ever nearer the secret of the great ship Spelljammer. Original.

This story revolves around a young girl's unending passion for and ultimate marriage to a man more interested in the miner's union then in the one he has consummated with her. Both Characters, strong in totally different ways compel the reader to sympathize alternately with each, creating a desire to discover the final culmination of this love/hate relationship and the many lives affected by it. The Pennsylvania coal miners who despite their hazardous lives, both physical and financial, their bigotry and ultimate betrayal by John L. Lewis were the true heroes of this county, through the beginning of it's growth to the end of World War II.

More than twenty years after Ernst Jünger's death in 1998, the controversial German writer's work continues to compel the attention of readers, critics, and scholars. In early 2019, Jünger's diaries, the Strahlungen, written while he was an officer in occupied Paris during World War II, were published in English to wide acclaim. These intimate accounts, of high literary and philosophical quality, reveal Jünger negotiating compliance with acts of subversion and resistance against the Nazi regime. His life is evidence that history can be both real and unrealistic at once, crystallising something essential about a twentieth century that witnessed the rise of total mobilisation, global war, and unprecedented technologies of mass extermination.This volume presents four new essays by established and emerging scholars on Jünger's work and legacy. Together, they provide biographical, philosophical, psychological, and aesthetic access-points to a major twentieth century German intellectual who, like few others, invites us to investigate the ambiguities, constraints, and imperatives of our own times.

Few recent writers have been as interested in the cross-over between texts and visual art as Italo Calvino (1923-85). Involved for most of his life in the publishing industry, he took as much interest in the visual as in the textual aspects of his own and other writers' books. In this volume twenty international Calvino experts, including Barenghi, Battistini, Belpoliti, Hofstadter, Ricci, Scarpa and others, consider the many facets of the interplay between the visual and textual in Calvinos works, from the use of colours in his fiction to the influence of cartoons, from the graphic qualities of the book covers themselves to the significance of photography and landscape in his fiction and non-fiction. The volume is appropriately illustrated with images evoked by Calvino's major texts.