After withstanding the power of the Black Jewel and saving the city of Hamadan from the conquest of the Dark Empire of Granbretan, Hawkmoon set off for the Kamarg, where friendship and love await him. But the journey is beyond treacherous. With his boon companion, Oladahn, the beastman of the Bulgar Mountains, Hawkmoon discovers the peaceful city of Soryandum, which holds the power to transcend the confines of time and space. This power, which keeps the city from falling to the Dark Empire, could keep the Kamarg safe. But alas his love Yisselda is now a prisoner of the Mad God, whose powerful amulet is linked to Hawkmoon's ultimate destiny: a power that began at creation and calls heroes to arms throughout existence. Hawkmoon must rip this amulet from the neck of the Mad God if he hopes to save the Kamarg and free his friends and his one true love from the Dark Empire's relentless wrath.

The Dark Empire of Granbretan has humiliated and mutilated Dorian Hawkmoon, but it cannot rob him of his two consuming passions: his love for Yisselda of Brass and his hatred of her ruthless suitor Meliadus. But before he can defy the Dark Empire and win the beauteous Yisselda, he must seek the Runestaff, a quest that will send him into barbaric wonder and perverse evil ... and only if he succeeds will he avert the doom of all the world...

In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half. Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs. A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy. These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace. The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Dorian Hawkmoon, the last Duke of Koln, swore to destroy the Dark Empire of Granbretan. But after his defeat and capture at the hands of the vast forces of the Empire, Hawkmoon becomes a puppet, co-opted by his arch nemesis, the ruthless Baron Meliadus, to infiltrate the last stronghold of rebellion against Granbretan: the small but powerful city of the Kamarg. He has been implanted with a black jewel, through which the Dark Empire can control his every decision. But in the stronghold of the Kamarg, Hawkmoon discovers the power inside him to overcome any control, and his vengeance against the Dark Empire is filled with an unrelenting fury.

In Michael Moorcock's vast and imaginative multiverse, Law and Chaos wage war in a never-ending struggle over the fundamental rules of existence. Here, in this universe, Dorian Hawkmoon traverses a world of antique cities, scientific sorcery, and crystalline machines as he pulled unwillingly into a war that pits him against the ruthless and dominating armies of Granbretan.

The earth has grown old, her landscapes mellow, her people lost in abrooding dream. It is an age of antique cities, scientific sorcery, crystal machines, great flying engines with mechanical wings. And the armies of the Dark Empire are relentlessly taking over the once-peaceful city states, ravaging and destroying as they advance, mile by brutal mile ... The Dark Empire has humiliated and multilated Dorian Hawkmoon, but it cannot rob him of his two consuming passions: his love for Yisselda of Brass and his hatred of her ruthless suitor Meliadus. But before he can defy the Dark Empire and win the beauteous Yisselda, he must seek the Runestaff, a quest that will send him into barbaric wonder and perverse evil ... and only if he succeeds will her avert the doom of all the world ...