Lucy Beck-Moreau once had a promising future as a concert pianist. The right people knew her name, her performances were booked months in advance, and her future seemed certain. That was all before she turned fourteen. Now, at sixteen, it's over. A death, and a betrayal, led her to walk away. That leaves her talented ten-year-old brother, Gus, to shoulder the full weight of the Beck-Moreau family expectations. Then Gus gets a new piano teacher who is young, kind, and interested in helping Lucy rekindle her love of piano -- on her own terms. But when you're used to performing for sold-out audiences and world-famous critics, can you ever learn to play just for yourself? National Book Award finalist Sara Zarr takes readers inside one girl's struggle to reclaim her love of music and herself. To find joy again, even when things don't go according to plan. Because life isn't a performance, and everyone deserves the chance to make a few mistakes along the way.

During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

Samara Taylor used to believe in miracles. She used to believe in a lot of things. As a pastor's kid, it's hard not to buy in to the idea of the perfect family, a loving God, and amazing grace. But lately, Sam has a lot of reason to doubt. Her mother lands in rehab after a DUI and her father seems more interested in his congregation than his family. When a young girl in her small town is kidnapped, the local tragedy overlaps with Sam's personal one, and the already-worn thread of faith holding her together begins to unravel. In her third novel, acclaimed author Sara Zarr examines the coexistence of affliction and hope, and what happens when everything you thought you believed---about God, about your family, about yourself---is transformed.

Train. Car. Plane. Boat. Feet. He'll get there. Won't he?

The countdown to college has begun. When Elizabeth receives her freshman-year roommate assignment at the beginning of summer, she shoots off an email to coordinate the basics: TV, microwave, mini-fridge. She can't wait to escape her New Jersey beach town, and her mom, and start life over in California. That first message comes as a surprise to Lauren in San Francisco; she had requested a single. But if Lauren's learned anything from being the oldest of six, it's that you can't always get what you want, especially when what you want is privacy. Soon the girls are e-mailing back and forth, sharing secrets even though they've never met. With childhood friendships and family relationships strained by change, it suddenly seems that the only people Elizabeth and Lauren can rely on are the complicated new boys in their lives...and each other. With humor and heart, Sara Zarr, National Book Award finalist for Story of a Girl, and Tara Altebrando, acclaimed author of The Pursuit of Happiness, join forces for a novel about that time after high school when everything feels like it's ending just as it's beginning.

Eleven-year-old twins Hannah and Anna agree about everything—especially that they don't want to move to the creepy old house on Hemlock Road. But as soon as they move into the house, the twins start disagreeing for the first time in their lives. In fact, it's almost as though something or someone is trying to drive them apart. While Anna settles in, Hannah can't ignore the strange things that keep happening on Hemlock Road. Why does she sense things that no one else in the family does? It's almost as though someone is trying to talk to her. Someone no one else can hear. Someone angry enough to want revenge. Hannah, are you listening? Is the house haunted? Is Hannah crazy? Or does something in the house want her as a best friend—forever?

In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.