An international best-seller with more than one million copies in print and a winner of France's Prix Goncourt, The Lover has been acclaimed by critics all over the world since its first publication in 1984. Set in the prewar Indochina of Marguerite Duras's childhood, this is the haunting tale of a tumultuous affair between an adolescent French girl and her Chinese lover. In spare yet luminous prose, Duras evokes life on the margins of Saigon in the waning days of France's colonial empire, and its representation in the passionate relationship between two unforgettable outcasts. Long unavailable in hardcover, this edition of The Lover includes a new introduction by Maxine Hong Kingston that looks back at Duras's world from an intriguing new perspective--that of a visitor to Vietnam today.

Novel retelling the dramatic experiences of the author's adolescence - as previously described in the 1984 Prix Goncourt winning T̀he Lover'.

A husband seeks his wife's lover who is lost in the turbulence of Israel's Yom Kippur War. As the story of his quest unfolds and grows in intensity, the main protagonists are drawn into the search and transformed by it: through the different perspective of husband, wife, teenage daughter, young Arab emerges a complex picture of the uneasy present, the tension between generations, between Israel's past and future, between Jews and Arabs. The Lover was A.B. Yehoshua's first novel and immediately brought him international recognition. It is brilliant, compassionate and highly original and as accomplished as all his later works.

"An absolutely prime slice of Scandicrime . . . the writer channels her professional expertise into a noteworthy domestic thriller" Barry Forshaw, FT "Having hit a bull's-eye with . . . The Therapist . . . Helene Flood repeats the trick with another twisty tale of domestic goings-on . . . teasing and pleasing the reader till the very last page" Sunday Times Crime Club "The Lover is taut, clever and irresistible" Anna Bailey "A wonderful storyteller" Chris Whitaker Is it worse to deceive to your husband or the police? Rikke is lying to them both. But how many lies can she get away with? When her upstairs neighbour Jørgen is found murdered, she's questioned alongside her husband. How can she admit that she and Jørgen were having an affair? Or explain to the police the complexity of her feelings? The hint of relief that he's dead. And what would they say if they knew she used a spare key to enter his apartment the morning after he was killed? Rikke knows she can't hide the evidence of the affair from the police. And if she's caught in her lie, suspicion will turn to her. With her perfect family life threatening to unravel, Rikke realises that finding the killer is the only way to put herself in the clear. So long as the killer doesn't get to her first. Praise for The Therapist "Creepy, compelling and very well written" Harriet Tyce "Wonderfully creepy, twisty and compelling" Karen Hamilton "Masterfully paced and hauntingly written" Anna Bailey "Gets under your skin" Jo Spain "I couldn't put it down" Sarah Ward "A marvellously assured debut thriller" Irish Times. "A striking debut" Spectator Translated from the Norwegian by Alison McCullough

How does one talk about love? Is it even possible to describe something at once utterly mundane and wholly transcendent, that has the power to consume our lives completely, while making us feel part of something infinitely larger than ourselves? Taking a unique approach to this age-old problem, the nameless narrator of David Levithan's The Lover's Dictionary constructs the story of a relationship as a dictionary. Through these sharp entries, he provides an intimate window into the great events and quotidian trifles of coupledom, giving us an indelible and deeply moving portrait of love in our time.

“One of my favorite authors.”—Colleen Hoover An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation. Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more! One summer. Two rivals. A plot twist they didn't see coming... Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: “G”, “PG”, “PG-13”, “R”, and ”X”. For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings actually protect children? In The Naked Truth, Kevin. S Sandler argues that the rating system does not protect children but instead protects the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as “responsible entertainment” to all audiences and “incontestable” to politicians and moral reformers. By embracing a no-NC-17 rule, the industry collapses mature subject matter with pornography, creating a national cinema where certain representations of sex and nudity are taboo.