Presents the screenplay of the film about what happens when Pete Dayton is found, dazed and confused, in the Death Row cell which should have held convicted wife-murderer Fred Madison

What had happened, from those days until now? And why had it? And how had his life gone? And who was to blame? Or why did he think he had to blame anyone? Certainly he couldn’t even blame Mr. Roach, caught in the same turmoil as everyone believing half-truths in order to blame other people. These are the forlorn thoughts of Alex Chapman, the tragic anti-hero of David Adams Richards’ masterful novel The Lost Highway. An exploration of the philosophical contortions of which man is capable, the novel tracks the desperate journey of an eternally lost and orphaned child/man who has nearly squandered his frail birthright but might yet earn some degree of redemption. David Adams Richards’ The Lost Highway is a taut psychological thriller that goes far beyond the genre into the worlds of Leo Tolstoy, and Emily Brontë’s Wuthering Heights, as well as classical Greek mythology, testing the very limits of humankind’s all too tenuous grasp on morality.

This masterful explorationof American roots music--country, rockabilly, and the blues--spotlights the artists who created a distinctly American sound, including Ernest Tubb, Bobby "Blue" Bland, Elvis Presley, Merle Haggard, and Sleepy LaBeef. In incisive portraits based on searching interviews with these legendary performers, Peter Guralnick captures the boundless passion that drove these men to music-making and that kept them determinedly, and sometimes almost desperately, on the road.

His formal interviews barely filled a page, and even those who claimed him as a friend admit they barely knew him.".

Banjo player Sharp Reeves of West Virginia forms a trio and they hit the road. The novel describes their women, their successes and disappointments, and his descent into alcoholic depression. But the sight of his son, wounded in Vietnam, snaps him out of it.

Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics. With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.

THE STORY: HANK WILLIAMS: LOST HIGHWAY is the spectacular musical biography of the legendary singer-songwriter frequently mentioned alongside Louis Armstrong, Robert Johnson, Duke Ellington, Elvis and Bob Dylan as one of the great innovators of Ame