Asenath Tannie is an actress, writer, director, producer, filmmaker, author, and owner of her own company. ATG Productions is currently shooting a 30-second commercial for a Doritos contest. The winning commercial will air on Superbowl Sunday. Asenath wrote and stars as Happy Grandma in this Doritos commercial. Asenath LOVES challenges and this is definitely a challenge. Asenath and her husband of 100 years, as she likes to say, live in Orange County, California where they raised four children. Another challenge Asenath has accomplished is that she has submitted her short film, Billy Boy, to several film festivals. Asenath's work is an outpouring of love in print, film, music, and on the Internet. (See Rick's web site: www.RickCGentry.org) Asenath's promise to her son, Rick, is "I will tell the whole world I love you." She intends to keep that promise. As you can see, Asenath loves a challenge. She hopes you do too. "Repeat After Me" will help you overcome many of the challenges of every day living by changing negative thinking to positive action---even if you don't believe it! That's the beautiful thing about these phrases---just repeat them over and over again, and see what happens. If you utilize this handbook every day, it can and will open a new world of exciting opportunities that perhaps you wouldn't have even dared to dream otherwise i.e., your own business, a different career, a promotion, becoming an outstanding parent, being happy, and so on. Wow. What a challenge. I dare you to meet it. Please write or e-mail me your thoughts as you use this daily handbook. I'd love to hear from you. Sincerely, Asenath Tannie

John W. Aldridge is one of the few young critics of importance to appear on the literary scene since World War II. In AFTER THE LOST GENERATION he discusses with acumen and discernment the most important works of the young post-war writers of the Forties—Norman Mailer, Irwin Shaw, John Horne Burns, Truman Capote, Gore Vidal, Paul Bowles, Alfred Hayes and others. Aldridge discusses three writers of the 1920’s—Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald—to introduce the writers of World War II. He draws significant parallels between the work of the two generations—between Hemingway and Hayes, between Fitzgerald and Burns, between Bowles and Hemingway, and between the “lost generation” of the Twenties and the “illusionless lads of the Forties.” More important than the likenesses between the two generations are the new developments. Norman Mailer and Irwin Shaw wrote enormous “encyclopedic” war novels which covered whole armies and had settings in a dozen different lands. John Horne Burns sought relief from the chaos of modernity in Italian culture and Old World tradition. Truman Capote dealt essentially with abnormalities and peculiarities in human nature. Anti-Semitism, the Negro problem, and homosexuality appear time and again in the new writing. The old themes with which Hemingway and Fitzgerald shattered Victorian patterns—sex, drinking, the brutalities of war—are no longer shocking. AFTER THE LOST GENERATION is a penetrating analysis of post-war fiction that already has provoked wide controversy and discussion. “A pioneer study...The first serious and challenging book about the new novelists.”—Malcolm Cowley, New York Herald Tribune

Woody Allen made the glamour of Paris in the twenties magical in Midnight In Paris--but was that really the case? This anthologies of Lost Generation writers, shows you the work that made the movement. A short book on the history of the movement is also included in the work. Authors and works included in this anthology: E.E. Cummings The Enormous Room Hilda Doolittle Sea Garden T. S. Eliot The Love Song of J. Alfred Prufrock F. Scott Fitzgerald Flappers and Philosophers Ford Madox Ford The Good Soldier James Joyce A Portrait of the Artist as a Young Man John Dos Passos Rosinante to the Road Again Ezra Pound Poems Alan Seeger Selected Works Gertrude Stein Three Lives

The purpose of this study was to examine the situation of the lost girls and boys of Sudan and to identify the effects of civil war in the country. The effects of war in the country left most Sudanese traumatized in refugee camps, while a few managed to relocate to the United States and settle in South Dakota. Through this study, some of the lived experiences of several lost girls and boys who have suffered psychologically and socially as a result of being exposed to civil war and being forced to relocate to the United States have been identified. The degree to which these Sudanese immigrants current lives in the U.S. are affected by what they witnessed and experienced, as well as the extent to which their treatment was helpful in restoring their mental health, was also examined. Information from the interviews showed that each of the experiences of these young men and women were unique and that each immigrant coped with their experiences differently. One conclusion drawn from the study was that a majority of the support for these new immigrants should be given to those individuals who are 18 or older when they arrive.

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women’s experiences of resistance, mourning, and reinvention in the shadow of the Great War.

The escape from Egypt is the pivotal event in the Old Testament. Through it God gave his people their freedom. For forty tumultuous years God and Moses and a chronically rebellious people suffered and fought and established the foundations of a legal system and a system of ethics that changed the world. The Old Testament reminds us that we must never forget the Exodus, or we will forget who we are. And as we learn about the Exodus, we learn who we are.

Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.