When Silvia's country falls apart after a coup, she flees to London. Picked up by the police, she is dumped for weeks in a bed-and-breakfast with a crazy landlady, then rescued by cold intellectuals. She finds she is a nuisance to one side and a cause to the other, with no dreams, family or opinions of her own. Until she meets another, earlier, refugee; and then she has a surprise for everyone. The Lost Baggage of Silvia Guzmán is a story of flight, loss and the pain of exile. But it is also a sideways look at liberal London - perceptive, caustic and sometimes very funny.

So you think you know your dog? Bazza is an easy-going middle-aged college lecturer with a taste for weed, porn, beer and redheads. When he adopts a rescue dog, he sees nothing odd about the animal. Then a Himalayan monk comes to visit, and senses something strange. Dog is a powerful story of love and loss, sin, redemption and dog mess. You'll never see your pet the same way again.

In a South Coast port, a middle-aged trawlerman has one last throw of the dice. In the Thames Valley, property is booming. And the meek won't inherit the earth. In a Warwickshire vicarage, the Master of an Oxford college must try to unite past and present. Three Seasons is about the Thatcher era in Britain, but it is not about politics. These three stories of England in the 1980s are portraits of a country and its people on the verge of change.

In 1987 Mike Robbins, a young journalist in London, felt restless and decided to travel. He never really stopped. In the quarter century that followed he lived and worked in countries as diverse as the world itself. The pieces in this book take the reader from rural Sudan to the headwaters of the Amazon, from Semana Santa in Quito to Buddhist temples in the Himalayas, across Bhutan on a motorbike, into the ancient souk of Aleppo, to the steppes of Central Asia and finally to New York. Along the way there is Ethiopian gin, a sex tourist in Moscow, Kyrgyz women in cycling pants, a surreal toilet in Brussels, echoes of slavery in Brazil, and an encounter with Helen of Troy in Third Avenue. The Nine Horizons is an anarchic snapshot of a troubled but beautiful world in transition.

Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.

Terra Nostra is one of the great masterpieces of modern Latin American fiction. Concerned with nothing less than the history of Spain and of South America, with the Indian Gods and with Christianity, with the birth, the passion, and the death of civilizations, Fuentes's great novel is, indeed, that rare creation--the total work of art. Magnificently translated by Margaret Sayers Peden, Terra Nostra is, as Milan Kundera says in his afterword, "the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say."

Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.