A major new biography of Rudyard Kipling Rudyard Kipling (1865-1936) was a unique figure in British history, a great writer as well as an imperial icon whose life trajectory matched that of the British Empire from its zenith to its final decades. Kipling was in his early twenties when his first stories about Anglo-Indian life vaulted him into celebrity. He went on to be awarded the Nobel Prize, and to add more phrases to the language than any man since Shakespeare, but his conservative views and advocacy of imperialism damaged his critical reputation -- while at the same time making him all the more popular with a general readership. By the time he died, the man who incarnated an era for millions was almost forgotten, and new generations must come to terms in their own way with his enduring but mysterious powers. Previous works on Kipling have focused exclusively on his writing and on his domestic life. Here, the distinguished biographer David Gilmour not only explains how and why Kipling wrote, but also explores the themes of his complicated life, his ideas, his relationships, and his views on the Empire and the future. Gilmour is the first writer to explore Kipling's public role, his influence on the way Britons saw themselves and their Empire. His fascinating new book, based on extensive research (especially in the underexplored archives of the United States), is a groundbreaking study of a great and misunderstood writer.

" Readable and reliable . . . [Gilmour' s] assessment of the political background of Kipling' s writings is exemplary." -- Earl L. Dachslager, "Houston Chronicle" David Gilmour' s superbly nuanced biography of Rudyard Kipling, now available in paperback, is the first to show how the great writer' s life and work mirrored the trajectory of the British Empire, from its zenith to its final decades. His great poem " Recessional" celebrated Queen Victoria' s Diamond Jubilee in 1897 and his last poems warned of the dangers of Nazism, while Kipling himself, an icon of the empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling' s mysterious and enduring works deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge our own generation.

In this remarkable novel, Pulitzer Prize–winning author James A. Michener draws on his unparalleled gift for storytelling, his deep understanding of American society, and his own life experiences to illuminate the challenges of aging and the folly of youth. As the new director of a Florida retirement home known as the Palms, Andy Zorn suffers no shortage of loving support from his “elders,” a group of five passionate, outspoken residents. Still, Andy’s shortcomings tear him apart. But when he meets an extraordinary young woman who has been forced to rebuild her life after suffering crippling injuries, he finds himself falling in love. And with a few gentle jabs from his more mature friends, he discovers a wonderful new purpose in life. Praise for Recessional “The best moments in the novel occur when the characters disclose what’s in their hearts and minds with rueful, snappy humor.”—The New York Times Book Review “Michener hooks you with wonderfully humorous scenes. These are then interwoven between the moments of pain and heartache brought about by life choices we all must make.”—Tulsa World “Engaging . . . One will be drawn into the novelist’s world. . . . The lush natural setting provides James Michener plenty to show and tell.”—The Washington Times

When a postgraduate student of African languages, looking for a topic for her doctoral thesis, happens upon an obscure and incomplete lexicon of metaphorical names for indigenous Sanga-Nguni cattle by a long-dead academic, she knows, instinctively, that she has found her subject. She is given access to his papers, his catalogue of index cards and field notes recorded in a remote valley in South Africa in 1946. Among his many photographs is a small print of a delicately patterned cow. In finding it she has, unwittingly, discovered a cipher to his life. In exchanging objectivity for passion, and in defiance of her supervisor's instructions, the linguist becomes the biographer. She begins to reconstruct the life and the lost love of a man long forgotten, to recreate a world to which she can restore him - and, in doing so, restore herself. Fact and supposition, instinct and intuition become blurred, making a new truth ... Recessional for Grace is an exquisitely textured novel. In Poland's assured hands, it is a love story at once delicate and incandescent and an exploration of the process of creation where sequence does not matter and past and present have a genesis apart from time.

"A Superb New Biography . . . A Tragic Story, Brilliantly Told." —Andrew Roberts, Literary Review George Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book—with a new foreword by the author—is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon emerges as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.

I: English literature. The genius of Shandy Hall : Laurence Sterne ; Double life : Jane Austen ; Best and worst : Charles Dickens ; Living with Trollope : Anthony Trollope ; Eminent Victorian : George Eliot ; The two Hardys : Thomas Hardy ; The King's trumpeter : Rudyard Kipling ; Life in the head : John Cowper Powys ; Nothing nasty in the woodshed : P.G. Wodehouse ; Like ink and milk : D.H. Lawrence ; Baby face : William Gerhardie ; The last Puritan : George Orwell ; Mr. Toad : Evelyn Waugh ; God's Greene : Graham Greene -- II: The English poets. Family man : William Wordsworth ; Unmisgiving : John Keats ; The all-star Victorian : Alfred, Lord Tennyson ; An art of self-discovery : Edward Thomas ; Fun while it lasted : Rupert Brooke ; Gallant pastiche : Cecil Day Lewis ; The best of Betjeman : John Betjeman ; The flight of the disenchanter : W.H. Auden ; The last romantic : Philip Larkin -- III: Mother Russia. Cutting it short : Alexander Pushkin ; Under the overcoat : Nikolai Gogol ; The strengths of his passivity : Ivan Turgenev ; An excellent man : Anton Chekhov ; The backward look : Ivan Bunin ; Poems with a heroine : Anna Akhmatova ; A poet's tragedy : Marina Tsvetaeva ; On the horse parsnip : Boris Pasternak ; The hard hitter : Isaac Babel ; A prig of genius : Aleksandr Solzhenitsyn -- IV: American poetry. Songs of a furtive self : Walt Whitman ; Mothermonsters and fatherfigures : E.E. Cummings ; Lowellship : Robert Lowell ; "One life, one writing" : James Merrill ; Richly flows contingency : John Ashbery -- V: Out of Eastern Europe. The power of delight : Bruno Schulz ; Something childish : Witold Gombrowicz ; Poet of holy dread : Paul Celan ; The art of austerity : Zbigniew Herbert ; Return of the native : Czeslaw Milosz -- VI: Aspects of novels. The point of novels ; Gossip in fiction ; Little green crabs : Marcel Proust ; The order of battle at Trafalgar ; In which we serve : Patrick O'Brian ; Seer of the ego : Stendhal ; What will you do to keep the s