Dodder, Baldmoney, Cloudberry, and Sneezewort are the last four gnomes in Britain and were first introduced to us in the Carnegie Medal-winning book, The Little Grey Men. In this charming book their story continues and we find them tucked up in their cosy home, next to the Folly, for winter. But when they're awakened from their sleep with the terrible news that the Folly is drying up, they must pack up their belongings and head off in their boat, the Jeanie Deans, to find a new home where they can be safe once again. Along the way they face many dangers and their journey is sometimes perilous and packed with adventure.

When climate change and human interference forces four gnomes to leave their beloved home, they embark on a long, thrilling adventure that takes them over land and sea in this thrilling sequel to the first Little Grey Men book. Sneezewort, Baldmoney, Dodder, and Cloudberry are the last gnomes in Britain. Life along the Folly Brook, where the gnomes live companionably with the birds and beasts, is wild and wet, just the way they like it. But one spring day, waking up from a long winter sleep, the gnomes are confronted by an inescapable fact: Their brook is drying up and will soon be uninhabitable. A sequel to B.B.’s award-winning The Little Grey Men, this novel is about the gnomes’ perilous and daring search for a new home. Warwickshire and the rest of their beloved country have been despoiled by men, and the gnomes must find another place as wild and wet as their home once was. Part fantasy, part ecological parable, The Little Grey Men Go Down the Bright Stream was first published in 1948 and remains as exciting, poignant, and far-seeing as ever.

The last four gnomes in Britain live by a bubbling brook on the banks of the Folly. The gnomes are perfectly happy with their life, except, that is, for one - Cloudberry. Restless and longing for adventure, Cloudberry sets off to follow his dream. But when he doesn't return, the remaining gnomes begin a perilous journey to find him.

The Child That Haunts Us focuses on the symbolic use of the child archetype through the exploration of miniature characters from the realms of children’s literature. Jung argued that the child archetype should never be mistaken for the ‘real’ child. In this book Susan Hancock considers how the child is portrayed in literature and fairytale and explores the suggestion from Jung and Bachelard that the symbolic resonance of the miniature is inversely proportionate to its size. We encounter many instances where the miniature characters are a visibly vulnerable ‘other’, yet often these occur in association with images of the supernatural, as the desired or feared object of adult imagination. In The Child That Haunts Us it is emphasised that the treatment by any society, past or present, of its smallest and most vulnerable members is truly revealing of the values it really holds. This original and sensitive exploration will be of particular interest to undergraduate and postgraduate students as well as academics engaged in Jungian studies, children’s literature, childhood studies and those with an interest in socio-cultural constructions of childhood.

Featuring close readings of selected poetry, visual texts, short stories and novels published for children since 1945 from Naughty Amelia Jane to Watership Down, this is the first extensive study of the nature and form of ethical discourse in British children's literature. Ethics in British Children's Literature explores the extent to which contemporary writing for children might be considered philosophical, tackling ethical spheres relevant to and arising from books for young people, such as naughtiness, good and evil, family life, and environmental ethics. Rigorously engaging with influential moral philosophers, from Aristotle through Kant and Hegel, to Arno Leopold, Iris Murdoch, Mary Midgley, and Lars Svendsen, this book demonstrates the narrative strategies employed to engage young readers as moral agents.

By the author of the classic The Snow Goose, a heartbreaking story about a young girl and her most unusual cat, who has magical powers that save her owner's life. Seven-year-old Mary adores her ginger cat, Thomasina, and is crushed when Thomasina falls sick, and Mary’s father, a grim, inflexible man who is the town vet, decrees that the only thing to be done is to put Thomasina down. Mary refuses to speak to her father, and then she herself contracts a life-threatening disease. In the meantime, however, Thomasina has been rescued—by the mysterious Lori, the Red Witch of the glen. Thomasina is now Talitha, the descendant of an Egyptian goddess, and she is coming back to seek revenge! Thomasina, like Jenny of The Abandoned, Paul Gallico’s other great feline heroine (Jenny is Thomasina’s great-aunt), tells her own story in her own way, witty, charming, divine, and sometimes as sharp as an unsheathed claw. Thomasina is a cat for the ages. Thomasina is a sheer delight.