A collection of nursery rhymes and poems to help soothe children as they fall asleep.

Little Bunny loves to play, and bedtime always comes too soon! But it¹s always nice to say good night as Mother hums lullabies under the moon. Snuggle up warm in bed with Little Bunny and go to sleep to the comforting sounds of your favorite lullaby with this book and CD.

Sing along with classic lullabies in this delightful book and CD set, featuring your favourite Disney characters.

In this enchanting and comprehensive collection, the lullabies we all were rocked to sleep with, such as “Rock-a-Bye Baby” and “Hush Little Baby, Don’t You Cry,” mingle with traditional lullabies from around the world. Here are beautiful lyrics to sing or read to little ones, from Shakespeare’s lullaby for the fairy queen, Titania, to Brahms’s “Lullaby”; and from Gershwin’s “Summertime” to Langston Hughes’s lovely lullaby for a “night black baby.” Here, too, are poems for children that range from tender to nonsensical, from quiet to raucous–from Walter de la Mare to T. S. Eliot to Lewis Carroll, Edward Lear, and Ogden Nash. Whether the intent is to soothe or to amuse, there’s something here for every mood, every child, and the child in every adult. A delightful, gift-perfect collection.

This delightful book-and-CD set invites little ones to follow along as Mickey and Minnie recite classic sleepy-time rhymes. The CD also includes several soothing musical lullabies for little ones to sing along to.

“A beautiful book. . . . There are phrases in here that will make you laugh out loud, and others that will stop your heart. A definite triumph.” — David Rakoff, author of Love, Dishonor, Marry, Die, Cherish, Perish From Heather O'Neill, the Giller-shortlisted author of Daydreams of Angels and The Girl Who Was Saturday Night, a heartbreaking and wholly original novel about a young girl fighting to preserve a bruised innocence on the feral streets of a big city Baby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father Jules is always on the lookout for his next score. Baby knows that “chocolate milk” is Jules’ slang for heroin and sees a lot more of that in her house than the real article. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she’s been choreographed in a dance. Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl; he wants her body and soul—and what the johns don’t take he covets for himself. At the same time, a tender and naively passionate friendship unfolds with a boy from her class at school, who has no notion of the dark claims on her—which even her father, lost on the nod, cannot totally ignore. Jules consigns her to a stint in juvie hall, and for the moment this perceived betrayal preserves Baby from terrible harm—but after that, her salvation has to be her own invention. Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, O’Neill’s dazzles with a novel of extraordinary prescience and power, a subtly understated yet searingly effective story of a young life on the streets—and the strength, wits, and luck necessary for survival.