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A discussion of the emergence of Hispano identity among the Spanish-speaking people of New Mexico during the 19th and 20th centuries.

Nineteenth-Century Spanish America: A Cultural History provides a panoramic and accessible introduction to the era in which Latin America took its first steps into the Modern Age. Including colorful characters like circus clowns, prostitutes, bullfighters, street puppeteers, and bestselling authors, this book maps vivid and often surprising combinations of the new and the old, the high and the low, and the political and the cultural. Christopher Conway shows that beneath the diversity of the New World there was a deeper structure of shared patterns of cultural creation and meaning. Whether it be the ways that people of refinement from different countries used the same rules of etiquette, or how commoners shared their stories through the same types of songs, Conway creates a multidisciplinary framework for understanding the culture of an entire hemisphere. The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.

As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.