Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"—Hawthorne’s The Scarlet Letter, Melville’s Moby-Dick and Stowe’s Uncle Tom’s Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States’ past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.

In the mid-nineteenth century writers such as Hawthorne and Melville produced works of fiction that even today help define American literature. In this work of innovative literary history, Jonathan Arac explains what made this remarkable creativity possible and what it accomplished.

In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape. The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.

American Literature in the World is an innovative anthology offering a new way to understand the global forces that have shaped the making of American literature. The wide-ranging selections are structured around five interconnected nodes: war; food; work, play, and travel; religions; and human and nonhuman interfaces. Through these five categories, Wai Chee Dimock and a team of emerging scholars reveal American literature to be a complex network, informed by crosscurrents both macro and micro, with local practices intensified by international concerns. Selections include poetry from Anne Bradstreet to Jorie Graham; the fiction of Herman Melville, Gertrude Stein, and William Faulkner; Benjamin Franklin's parables; Frederick Douglass's correspondence; Theodore Roosevelt's Rough Riders; Langston Hughes's journalism; and excerpts from The Autobiography of Malcom X as well as Octavia Butler's Dawn. Popular genres such as the crime novels of Raymond Chandler, the comics of Art Spiegelman, the science fiction of Philip K. Dick, and recipes from Alice B. Toklas are all featured. More recent authors include Junot Diaz, Leslie Marmon Silko, Jonathan Safran Foer, Edwidge Danticat, Gary Shteyngart, and Jhumpa Lahiri. These selections speak to readers at all levels and invite them to try out fresh groupings and remap American literature. A continually updated interactive component at www.amlitintheworld.yale.edu complements the anthology.

American Literature, American Culture is the first comprehensive anthology of American literary criticism to appear in many years and the first collection to bring together the tradition of American literary criticism as cultural critique. This unique anthology assembles reviews of early works, major critical essays, excerpts from landmark studies, and the most influential examples of the criticism practiced today. The selections address the dominant questions in the American literary tradition: What are the cultural responsibilities of the American writer? What are the characteristics of a national literature? Is a national literature even possible? How do gender and race affect the way we understand literature? What role does literature play in a democratic society? Organized chronologically, the four sections of the volume gather the most vital and enduring arguments in American literary and cultural politics in each era, covering such prominent issues as American exceptionalism, the racial divide, gender, and class identity. The book pays particular attention to the historical background of contemporary debates about multiculturalism. American Literature, American Culture is ideal for undergraduate and graduate courses in American literature, criticism, and American Studies. It also serves as a useful supplementary text in upper-level courses in criticism. Its range proves that at every juncture of the nation's intellectual history, criticism has provided an indispensable way of determining America's most fundamental meanings.

Citing declining coverage of classic English and American literature in today's schools, a "politically incorrect" primer challenges popular misconceptions while introducing the works of such core masters as Shakespeare, Faulkner, and Austen, in a volume that is complemented by a syllabus and a self-study guide. Original.