In "Liquid Land," Levin guides readers past the dire headlines about the Everglades' demise and into the magnificent swamp itself, where they come face-to-face with the remaining plants, animals, and landscapes that will survive only if the public protects them.

A town that doesn't want to be found. A countess who rules over the memories of an entire community. A hole in the earth that threatens to drag them all into its depths. When her parents die in a car accident, the highly talented physicist Ruth Schwarz is confronted with an almost intractable problem. Her parents' will calls for them to be buried in their childhood home--but for strangers, Gross-Einland is a village that remains stubbornly hidden from view. When Ruth finally finds her way there, she makes a disturbing discovery: beneath the town lies a vast cavern that seems to exert a strange control over the lives of the villagers. There are hidden clues about the hole everywhere, but nobody wants to talk about it--not even when it becomes clear that the stability of the entire town is in jeopardy. Is this silence controlled by the charming countess who rules the community? And what role does Ruth's family history, a history she is only just beginning to uncover, have to play? The more questions Ruth asks, the more vehement the resistance she encounters from the residents. But as she continues to dig deeper, she comes to realize that the key to deciphering the mysterious codes of the people of Gross-Einland can only lie in the history of the hole. In the literary tradition of Thomas Bernhard and Elfriede Jelinek, Raphaela Edelbauer weaves the complexities of small-town social structures into an opaque dream fabric that is frighteningly true to life, and in the process she turns us towards the abject horror that lies beneath repressed memory. The Liquid Land is a dangerous novel, at once glittering nightmare and dark reality, from an extraordinary new literary voice.

The impending End of Daegs were upon the inhabitants of the planet. They had acknowledged long ago that they had no other option than to venture out into the distant stars and search for the new Eden which Gavril had apparently found on his reconnaissance, somewhere that they can call home once more. Gidhon stood on the deck observing the planet below. He could hear the constant ebb of the starship, and his thoughts turned to the heavily laden underbelly which sat beneath his feet, his cargo... their future, for without them they as a species will not survive. “Is all well, Gidhon?” a voice asked. He groaned inwardly, and it was then that he remembered he was not alone, never alone to his thoughts, he shook his head as he heard Athena’s voice. Just why had they made this choice, he will never know, he thought.

Tales of the unknown in which a fix-it man crosses into another dimension—and more Hiram Taine is a handyman who can fix anything. When he isn’t fiddling with his tools, he is roaming through the woods with his dog, Towser, as he has done for as long as he can remember. He likes things that he can understand. But when a new ceiling appears in his basement—a ceiling that appears to have the ability to repair television sets so they’re better than before—he knows he has come up against a mystery that no man can solve. Winner of the Hugo Award for Best Novelette, “The Big Front Yard” is a powerful story about what happens when an ordinary man finds reality coming apart around him. Along with the other stories in this collection, it is some of the most lyrical science fiction ever published. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

The Alps have exerted a hold over the German cultural imagination throughout the modern period, enthralling writers, artists, philosophers, scientists, and tourists alike. The Draw of the Alps interrogates the dynamics of this fascination. Though philosophical and aesthetic responses to Alpine space have shifted over time, the Alps continue to captivate at an individual and collective level. This has resulted in myriad cultural engagements with Alpine space, as this interdisciplinary volume attests. Literature, photography, and philosophy continue to engage with the Alps as a place in which humans pursue their cognitive and aesthetic limits. At the same time, individuals engage physically with the alpine environment, whether as visitors through the well-established leisure industry, as enthusiasts of extreme sports, or as residents who feel the acute end of social and environmental change. Taking a transnational view of Alpine space, the volume demonstrates that the Alps are not geographically peripheral to the nation-state but are a vibrant locus of modern cultural production. As The Draw of the Alps attests, the Alps are nothing less than a crucible in which understandings of what it means to be human have been forged.