The Enchanted Life of Adam Hope is an unconventional and passionately romantic love story that is as breathtaking and wondrous as The Time Traveler’s Wife and The Story of Edgar Sawtelle. During WWII, teenager Evelyn Roe is sent to manage the family farm in rural North Carolina, where she finds what she takes to be a badly burned soldier on their property. She rescues him, and it quickly becomes clear he is not a man…and not one of us. The rescued body recovers at an unnatural speed, and just as fast, Evelyn and Adam fall deeply in love. In The Enchanted Life of Adam Hope, Rhonda Riley reveals the exhilarating, terrifying mystery inherent in all relationships: No matter how deeply we love someone, and no matter how much we will sacrifice for them, we can only know them so well…

The Apocalypse of Moses is the Greek version of the Life of Adam and Eve. The original version is believed to have been written in a Semitic language, as there as terms transliterated into Greek from a Semitic language, however, it is not known positively which language, as the original text is lost, and so far, no fragments have been found among the Dead Sea Scrolls that can be firmly linked to it. The closest text discovered to date among the Dead Sea Scrolls would be the Genesis Apocryphon scroll, written in Aramaic and generally dated to between 37 BC to 50 AD. The original language of the Apocalypse of Moses was likely also Aramaic, as demonstrated by the use of the name Iah (Jah), which is found more commonly in Aramaic language books, like Tobit. A number of references circumstantially date the original work to the era when the Greeks ruled Judea, between 330 and 140 BC. The reference to Iah is itself evidence of a pre-Hasmonean origin, as the Hasmoneans’ authorized’ version of the Hebrew texts appear to have redacted Iah (יה) to Yahweh (יהוה) when they converted the Jews from the Canaanite (Samaritan/Paleo-Hebrew) script to the Assyrian (Hebrew) script. The name Iah (Jah) does show up in many ancient names, such as Josiah, and phrases such as Hallelujah, implying it was once widely accepted as the name of (a) God, however, virtually disappeared from the Hebrew scriptures at some point, likely during the Hasmonean redaction and standardization circa 140 BC. The reference to Lord Sabaoth (κυρίῳ σαβαωθ) is another indicator of a pre-Hasmonean origin for the text. Lord Sabaoth was the Major-General of the Lord God’s army that helped Joshua destroy the walls of Jericho in the Septuagint’s Book of Joshua. There are many references to Lord Sabaoth, the ‘Lord of War’ in the Greek era, however, during the early Hasmonean era, he became an epitaph of Iaw (Yahweh) the national God of Hasmonean Judea: Iaw Sabaoth (יהוה צבאות). The Hasmoneans redacted Lord Sabaoth from the Book of Joshua, replacing him with Yahweh (יהוה), meaning that Yahweh was the Major-General of his own army in the Masoretic version of Joshua. According to later-Hasmonean records, Yahweh Sabaoth became the Jewish version of Dionysus or Bacchus, a god of war, wine, and lust, before he was abandoned during the formation of the Pharisee sect, who rejected the pronunciation of any of the names of God.

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This new edition of The Life of Adam Smith remains the only book to give a full account of Smith's life whilst also placing his work into the context of his life and times. Updated to include new scholarship which has recently come to light, this full-scale biography of Adam Smith examines the personality, career, and social and intellectual circumstances of the Scottish moral philosopher regarded as the founder of scientific economics, whose legacy of thought - most notably about the free market and the role of the state - concerns us all. Ian Simpson Ross draws on correspondence, archival documents, the reports of contemporaries, and the record of Smith's publications to fashion a lively account of Adam Smith as a man of letters, moralist, historian, and critic, as well as an economist. Supported with full scholarly apparatus for students and academics, the book also offers 20 halftone illustrations representing Smith and the world in which he lived.

First collection of poems by Pushcart-Prize nominated BRYAN BORLAND, a gay poet in Arkansas. From Philip F. Clark's introduction: "[Borland] shows us a rogue's gallery of men, all captured in that flash of insight that is both a mirror and a door." This book includes 70 poems. Details and samples of Borland's work at www.bryanborland.com

In 2008, the artist Adam Cullen invited journalist Erik Jensen to stay in his spare room and write his biography. What followed were four years of intense honesty and a relationship that became increasingly claustrophobic. At one point Cullen shot Jensen, in part to see how committed he was to the book. At another, he threw Jensen from a speeding motorbike. The book contract Cullen used to convince Jensen to stay with him never existed. Acute Misfortune is a riveting account of the life and death of one of Australia’s most celebrated artists, the man behind the Archibald Prize–winning portrait of David Wenham. Jensen follows Cullen through drug deals and periods of deep self-reflection, onwards into his court appearance for weapons possession and finally his death in 2012 at the age of forty-six. After much critical acclaim, Acute Misfortune was developed into a feature film, winning The Age Critics Award at the Melbourne International Film Festival in 2018. The story is by turns tender and horrifying: a spare tale of art, sex, drugs and childhood, told at close quarters and without judgement. Winner of the 2015 Nib Waverley Library Award for Literature Shortlisted in the 2015 Victorian Premier's Literary Awards and for the 2015 Walkley Book Award ‘Erik Jensen is a Boswell or Vasari for our baffled, fractured, fucked-up times. Acute Misfortune is the most intimate, revealing, and original take on an artist’s life I know of.’ —Sebastian Smee ‘Erik Jensen gives us that ingenious place where biography is also art.’ —Jennifer Clement ‘This is supposed to be about an artist, a wild man, his lifetime, and it is; but Jensen has written such a beautiful window that all art and life is shining through. I'm supposed to be an artist but I cannot put this down.’ —DBC Pierre