William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.

C. S. Lewis was a prolific letter writer, and his personal correspondence reveals much of his private life, reflections, friendships, and the progress of his thought. This second of a three-volume collection contains the letters Lewis wrote after his conversion to Christianity, as he began a lifetime of serious writing. Lewis corresponded with many of the twentieth century's major literary figures, including J. R. R. Tolkien and Dorothy Sayers. Here we encounter a surge of letters in response to a new audience of laypeople who wrote to him after the great success of his BBC radio broadcasts during World War II -- talks that would ultimately become his masterwork, Mere Christianity. Volume II begins with C. S. Lewis writing his first major work of literary history, The Allegory of Love, which established him as a scholar with imaginative power. These letters trace his creative journey and recount his new circle of friends, "The Inklings," who meet regularly to share their writing. Tolkien reads aloud chapters of his unfinished The Lord of the Rings, while Lewis shares portions of his first novel, Out of the Silent Planet. Lewis's weekly letters to his brother, Warnie, away serving in the army during World War II, lead him to begin writing his first spiritual work, The Problem of Pain. After the serialization of The Screwtape Letters, the director of religious broadcasting at the BBC approached Lewis and the "Mere Christianity" talks were born. With his new broadcasting career, Lewis was inundated with letters from all over the world. His faithful, thoughtful responses to numerous questions reveal the clarity and wisdom of his theological and intellectual beliefs. Volume II includes Lewis's correspondence with great writers such as Owen Barfield, Arthur C. Clarke, Sheldon Vanauken, and Dom Bede Griffiths. The letters address many of Lewis's interests -- theology, literary criticism, poetry, fantasy, and children's stories -- as well as reveal his relation ships with close friends and family. But what is apparent throughout this volume is how this quiet bachelor professor in England touched the lives of many through an amazing discipline of personal correspondence. Walter Hooper's insightful notes and compre hensive biographical appendix of the correspon dents make this an irreplaceable reference for those curious about the life and work of one of the most creative minds of the modern era.

From the editor of the New York Times bestseller and instant classic Letters of Note, comes this companion volume of more than 125 captivating letters. Each turn of the page brings delight and discovery in a collection of correspondence that spans centuries and place, written by the famous, the not-so-famous, and the downright infamous. Entries are accompanied by a transcript of the letter, a short contextual introduction, and a spirited illustration—in most cases, a facsimile of the letter itself. A splendid gatefold features one extraordinary hand-embroidered biographical letter. As surprising as it is entertaining, Letters of Note: Volume 2 is a gift of endless enjoyment and lasting value.

Writing lays bare the soul. All serious writers know that each word reveals something significant about themselves, granting outsiders a glimpse at their most cherished beliefs and foundational convictions. In this series of intimate reflections on life and writing, critically acclaimed and best-selling novelist Bret Lott explores the author's craft through five letters covering a range of fascinating topics, from exploring the value of literary fiction to discussing the humility of Flannery O'Connor. In the final and longest letter, Lott contemplates the death of his father and his struggle to convey his complicated thoughts and inexplicable emotions in words. Intensely personal and yet universally relatable, this powerful collection of essays will encourage and enrich writers and aspiring writers everywhere.

Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry. Her vivid, daring and complex poetry continues to captivate new generations of readers and writers. In the Letters, we discover the art of Plath's correspondence. Most has never before been published, and it is here presented unabridged, without revision, so that she speaks directly in her own words. Refreshingly candid and offering intimate details of her personal life, Plath is playful, too, entertaining a wide range of addressees, including family, friends and professional contacts, with inimitable wit and verve. The letters document Plath's extraordinary literary development: the genesis of many poems, short and long fiction, and journalism. Her endeavour to publish in a variety of genres had mixed receptions, but she was never dissuaded. Through acceptance of her work, and rejection, Plath strove to stay true to her creative vision. Well-read and curious, she simultaneously offers a fascinating commentary on contemporary culture. Leading Plath scholar Peter K. Steinberg and Karen V. Kukil, editor of The Journals of Sylvia Plath 1950-1962, provide comprehensive footnotes and an extensive index informed by their meticulous research. Alongside a selection of photographs and Plath's own drawings, they masterfully contextualise what the pages disclose. This selection of later correspondence witnesses Plath and Hughes becoming major, influential contemporary writers, as it happened. Experiences recorded include first books and other publications; teaching; committing to writing full-time; travels; making professional acquaintances; settling in England; building a family; and buying a house. Throughout, Plath's voice is completely, uniquely her own.