Gorelov wakes up in an alleyway in the middle of the London riots suffering from a dissociative fugue. Unaware of his identity and having lost his memory, he is rescued by a stranger who guides him out of the riot and on to a journey to help him recover his identity. Is consciousness possible in the absence of memory? The journey ahead is an examination of memory and consciousness told through the allegory of alcoholism using Dante's circles of hell; every door that is opened in order to escape an unending London night of bars and pubs leads not to freedom but to another bar, another circle of hell, and another level of personal crisis, weakness and addiction. The bars and pubs feature cameo appearances by various dead poets and writers, mass murderers, living oligarchs, terrorists, goddesses, Victorian Imperialists, North Korean female soldiers, punk rockers and armed paramilitary thugs among many others and all along the path, Gorelov is haunted by a woman who he may or may not have murdered.

"America's strangest magazine" (Spin), The Duplex Planet began when Greenberger started publishing his unlikely conversations with the residents at the Duplex Nursing Home in Boston. Over 100 issues later, his magazine has inspired a poetry collection, a 5-vol. CD set, two documentaries, three plays, and this book. Illus.

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

n order to discover the Priscillianist heretics, who think it right to conceal their heresy not only by denial and lies, but even by perjury, it seemed to certain Catholics that they ought to pretend themselves Priscillianists, in order that they might penetrate their lurking places.

Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.

An New York Times Book Review Editor's Choice * An NPR Best Book of the Year * A Padma Lakshmi Book Club Pick For fans of On Earth We're Briefly Gorgeous and A Tree Grows in Brooklyn, an unforgettable story about female friendship and queer love in a Muslim-American community “Stunningly beautiful.” —The New York Times Book Review “An unforgettable voice that moves you from the start.” —People Magazine Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia’s heart is broken. She finds solace in Taslima, a new girl in her close-knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing miniskirts, and cutting school to explore the city. When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens. At Stuyvesant, Razia meets Angela and is attracted to her in a way that blossoms into a new understanding. When their relationship is discovered by an Aunty in the community, Razia must choose between her family and her own future. Punctuated by both joy and loss, full of ’80s music and beloved novels, Roses, in the Mouth of a Lion is a new classic: a fiercely compassionate coming-of-age story of a girl struggling to reconcile her heritage and faith with her desire to be true to herself.