An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.

In the short time they existed, The Libertines accomplished the impossible: they kick-started the new British music renaissance. They erased the barrier with fans, they inspired thousands, they gave away entire albums of material free on the internet. Yet on the whole the media failed to grasp what the band really stood for, preferring live-fast-die-young-cliches and headlines screaming for Kate Moss to abandon 'Junkie Pete' Doherty. Award-winning journalist Anthony Thornton and celebrated photographer Roger Sargent witnessed the whole messy story of The Libertines, and have remained on good terms with the two battling creative geniuses of Pete Doherty and Carl Barat. THE LIBERTINES: BOUND TOGETHER documents their extraordinary highs and lows, and the fallout from the breakup. Anthony Thornton is the only journalist to have interviewed the band at every critical stage, and witnessed every major gig. Roger Sargent was their photographer of choice; responsible for the iconic second album photograph and artwork. This is the definitive representation of the band in words and pictures - a unique, beautifully produced record of the most important British band of this generation.

Tracts on the Anabaptists and the Libertines, containing some of Calvin's most significant ethical and theological reflections.