No other source gives such an intimate portrait of this brilliant and strong minded individual, one of the four great doctors of the West and generally regarded as the most learned of the Latin fathers.

The Slavic Letters of St. Jerome is the first book-length study of the medieval legend that Church Father and biblical translator St. Jerome was a Slav who invented the Slavic (Glagolitic) alphabet and Roman Slavonic rite. Julia Verkholantsev locates the roots of this belief among the Latin clergy in Dalmatia in the 13th century and describes in fascinating detail how Slavic leaders subsequently appropriated it to further their own political agendas. The Slavic language, written in Jerome's alphabet and endorsed by his authority, gained the unique privilege in the Western Church of being the only language other than Latin, Greek, and Hebrew acceptable for use in the liturgy. Such privilege, confirmed repeatedly by the popes, resulted in the creation of narratives about the distinguished historical mission of the Slavs and became a possible means for bridging the divide between the Orthodox and Catholic Churches in the Slavic-speaking lands. In the fourteenth century the legend spread from Dalmatia to Bohemia and Poland, where Glagolitic monasteries were established to honor the Apostle of the Slavs Jerome and the rite and letters he created. The myth of Jerome's apostolate among the Slavs gained many supporters among the learned and spread far and wide, reaching Italy, Spain, Switzerland, and England. Grounded in extensive archival research, Verkholantsev examines the sources and trajectory of the legend of Jerome's Slavic fellowship within a wider context of European historical and theological thought. This unique volume will appeal to medievalists, Slavicists, scholars of religion, those interested in saints' cults, and specialists of philology.

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In the centuries following his death, Jerome (c.347-420) was venerated as a saint and as one of the four Doctors of the Latin church. In his own lifetime, however, he was a severely marginalized figure whose intellectual and spiritual authority did not go unchallenged, at times even by those in his inner circle. His ascetic theology was rejected by the vast majority of Christian contemporaries, his Hebrew scholarship was called into question by the leading Biblical authorities of the day, and the reputation he cultivated as a pious monk was compromised by allegations of moral impropriety with some of his female disciples. In view of the extremely problematic nature of his profile, how did Jerome seek to bring credibility to himself and his various causes? In this book, the first of its kind in any language, Andrew Cain answers this crucial question through a systematic examination of Jerome's idealized self-presentation across the whole range of his extant epistolary corpus. Modern scholars overwhelmingly either access the letters as historical sources or appreciate their aesthetic properties. Cain offers a new approach and explores the largely neglected but nonetheless fundamental propagandistic dimension of the correspondence. In particular, he proposes theories about how, and above all why, Jerome used individual letters and letter-collections to bid for status as an expert on the Bible and ascetic spirituality.

The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.

Not only the first of the letters but probably the earliest extant composition of Jerome (c. 370 a.d.). Innocent, to whom it is addressed, was one of the little band of enthusiasts whom Jerome gathered round him in Aquileia. He followed his friend to Syria, where he died in 374 a.d. (See Letter III., 3.)