A scholarly edition of the letters of John Gay. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

"Life And Letters Of John Gay (1685-1732), Author of "The Beggar's Opera"" by Lewis Melville John Gay was an English poet and dramatist and a member of the Scriblerus Club. He is best remembered for The Beggar's Opera whose characters became household names. In this book, Melville describes the life of this important figure in literary history through a collection of facts and letters that were collected and thoroughly researched to create an encompassing picture of Gay.

When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984), as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman, and Lepage. Apart from contributions by international scholars analysing the above-named plays, the editors' introduction covers other dramatists that have payed hommage to Gay. This interdisciplinary collection of essays is of particular interest for scholars working in the field of drama/theatre studies, the eighteenth century, contemporary drama, postcolonial studies, and politics and the stage.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

An honest and poignant look into the deeply intimate yet platonic relationship between a gay English teacher and his young female protge-each seeking connection and acceptance - as reflected by the decade of letters they exchanged. It's Tuesdays with Morrie- if Morrie were young and gay and Mitch Albom were a woman. Every writer needs a room of his own, but for some people, at certain times and in certain circumstances, the best you can do is a closet. From the confines of his closet, John wrote letters that were read, cherished and then locked away for decades.

Boston born and bred, John Wieners was a queer self-styled poète maudit who was renowned among his contemporaries but ignored by mainstream critics. Twenty-first-century readers are correcting this elision, placing Wieners back alongside his better-known peers, including Allen Ginsberg, Charles Olson, Denise Levertov, and Amiri Baraka. Wieners was a voluble letter writer, maintaining friendships with these contemporaries that spanned decades and tackling a range of complex issues that resonate today, including drug use, homosexuality, subcultures of the East and West Coasts, and the differing treatment of mental patients based on their economic class. The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded. The result is more than the letters of a poet—it is a history that explores the world at large in the mid-twentieth century.