Insight into the life of an ex-slave writer in England.

Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.

A contemporary critic described Ignatius Sancho as “what is very uncommon for men of his complexion, A man of letters.” A London shopkeeper, former butler, and descendant of slaves, Sancho was the first author of African descent to have his correspondence published. He was also a critic of literature, music, and art; a composer; and an advocate for the abolition of slavery. Sancho’s letters reveal an avid reader and prolific author, and his epistolary style shows a sophisticated understanding of both private and public audiences. Even after the abolition of the slave trade, proponents of equal rights on both sides of the Atlantic continued to use Sancho as an exemplar of the intellectual and moral capacity of people of African descent. In addition to the annotated letters by Sancho, this edition includes Laurence Sterne's letters to Sancho, Sancho's surviving autograph writings, and a selection of the many eighteenth-century responses to Sancho and his letters.