The Letters of Elizabeth Rigby, Lady Eastlake

The Letters of Elizabeth Rigby, Lady Eastlake
Title The Letters of Elizabeth Rigby, Lady Eastlake PDF eBook
Author Elizabeth Eastlake
Publisher Liverpool University Press
Pages 673
Release 2009-01-01
Genre Literary Collections
ISBN 1846311942

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This year marks the bicentennial of the English writer, translator, critic and amateur artist Elizabeth Rigby, Lady Eastlake (1809–93). The Letters of Elizabeth Rigby, Lady Eastlake brings together a comprehensive collection of her surviving correspondence and reveals significant new material about this extraordinary Victorian figure. Rigby wrote on a variety of subjects, most notably reviews of works and authors such as Jane Eyre, Vanity Fair, Ruskin, Coleridge, and Madame de Staël, as well as art-related criticism, including one of the earliest critical texts on photography. Her lively correspondence here shows how this well-connected woman played such an important role in the Victorian art world.

The Palgrave Encyclopedia of Victorian Women's Writing

The Palgrave Encyclopedia of Victorian Women's Writing
Title The Palgrave Encyclopedia of Victorian Women's Writing PDF eBook
Author Lesa Scholl
Publisher Springer Nature
Pages 1753
Release 2022-12-15
Genre Literary Criticism
ISBN 3030783189

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Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

Journals and Correspondence of Lady Eastlake

Journals and Correspondence of Lady Eastlake
Title Journals and Correspondence of Lady Eastlake PDF eBook
Author Elizabeth Eastlake
Publisher
Pages 372
Release 1895
Genre
ISBN

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Women on Philosophy of Art

Women on Philosophy of Art
Title Women on Philosophy of Art PDF eBook
Author Alison Stone
Publisher Oxford University Press
Pages 304
Release 2024-08-29
Genre Philosophy
ISBN 0198917996

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Women on Philosophy of Art is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.

Migrating Histories of Art

Migrating Histories of Art
Title Migrating Histories of Art PDF eBook
Author Maria Teresa Costa
Publisher Walter de Gruyter GmbH & Co KG
Pages 462
Release 2018-12-03
Genre Art
ISBN 3110490471

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Art historians have been facing the challenge – even from before the advent of globalization – of writing for an international audience and translating their own work into a foreign language – whether forced by exile, voluntary migration, or simply in order to reach wider audiences. Migrating Histories of Art aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony.

Museums and Biographies

Museums and Biographies
Title Museums and Biographies PDF eBook
Author Kate Hill
Publisher Boydell & Brewer Ltd
Pages 351
Release 2014
Genre Art
ISBN 184383961X

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Exploring the relationship between museums and biographies, this collection of essays examines examples from the early 19th century to the present day.

Photography and the Arts

Photography and the Arts
Title Photography and the Arts PDF eBook
Author Juliet Hacking
Publisher Bloomsbury Publishing
Pages 379
Release 2020-10-29
Genre Photography
ISBN 1350048550

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Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.