The heart has a history as long and complex, and often as sordid, as that of the secret life it once signified. This is the fascinating history that Milad Doueihi tells in a book that follows the adventures of the human heart from the myth of Dionysos to works of Dante, Boccaccio and Francis Bacon; from the Eucharist to the emergence of medicine; from antiquity to early modern times.

Ten young Florentines take refuge in the countryside from the Black Death and tell stories to pass the time. From the unfaithful wife who unwittingly eats her lover’s heart to the sly peasant plotting to seduce a whole nunnery, these are tales of lust, adventure and unexpected twists of fate. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love’s endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love....

New editions, with translations and introductions. The three narrative lays presented here form a sequel to the authors' French Arthurian Literature IV: Eleven Old French Narrative Lays, published in 2007. No new edition of Ignaure has appeared since 1938 and in the meantime this poem has generated a considerable amount of critical comment, especially as it provides the first full-length example in medieval European literature of the theme of the "Eaten Heart". Oiselet recounts abird's use of three truths as a means of escaping from the clutches of an uncultivated vilain. In the extant manuscripts these truths occur in two different orders, both of which are provided in the present edition. Amours, which follows the progress of a love affair between a nobleman and his beloved, has not been edited since 1878. All three poems challenge our understanding of the term "lay", especially if we regard the lays of Marie de France as defining the principal features of this genre. GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool; LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.

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