The past is forgotten, but not gone. A magical empire of grey-skinned giants erupts into civil war as Verletzt, a bold idealist, challenges the stagnant doctrine of his rulers. His iconoclast movement struggles desperately against the brutal theocrats to win freedom and lead his people to a glorious destiny. Millennia later, Kayla Freeland’s prophetic sight shows her an approaching worldwide apocalypse. The devastating threat is somehow connected to an ancient weapon, hidden elemental forces and Vertletzt’s long-vanished civilization. Racing against time, she assembles an expedition to delve into the past and solve the riddle of her visions before it is too late. ------------------------------------------------------------------------------------------------------------------------------ The Legacy of Lethe is both sequel and prequel to “The Conquest of Kiynan” but can be read as a stand-alone book. The story is split across multiple viewpoint characters in two timelines, forced to navigate conflict, heartbreak, coming of age and magic. The threads are gradually woven together, leading to a single, thrilling conclusion.

Comparing the law's efforts to deal with the past, these 12 essays address matters of criminal responsibility, amnesty, time, memory, and reconciliation. The relationships between justice, the law, and politics are explored with concern to recent changes in the nature and responsibilities of each. Attention is given to the experiences of Eastern Europe, Germany, South Africa, Israel, and Australia. Contributors include legal scholars, philosophers, and social scientists from Europe, Israel, South Africa, Canada, and Australia. The book is distributed in the US by ISBS. c. Book News Inc.

★★★★★ “Impossible to put down… Caillibot kick starts The Kiynan Chronicles series with this fascinating concoction of epic fantasy, mystery, magic, and action.” - The Prairies Book Review ★★★★★ “The book follows multiple point-of-view characters through an unlikely thread that weaves them together in a patchwork of royalty, loyalty, war, and magic. [...] The Conquest of Kiynan is an incredibly ambitious book” - Readers’ Favorite ------------------------------------------------------------------------------------------------------------------------------ When the entire world erupts into war, can anyone triumph? An ancient Conjurer escapes from his imprisonment in the spirit world. Bent on revenge, he raises an army of demons crafted from stolen flesh and bones. An uneasy alliance of magicians is formed to oppose him, but they soon realise that even with their might combined, it will not be enough to survive the coming storm. In desperation, they seek help from distant, long-alienated kin. Among them is Kayla Freeland, a young woman who may be the key to unlocking the long-forgotten magic of the fallen House Calm, perhaps the only means of stopping the Conjurer and his endless minions. Far to the West, a barbarian High King launches an all-out invasion. Old rivalries are reignited and alliances tested as nobles and commoners alike are thrown into chaos by the sudden aggression. A young, naïve King and a conscripted thief find themselves forced to work together to survive. As kingdoms fall, the unlikely heroes must overcome fear, loss and remorse to unite fragmented armies and feuding magicians against their merciless enemies, or face subjugation. ------------------------------------------------------------------------------------------------------------------------ The Conquest of Kiynan is the first instalment of an epic, high fantasy series. The story is split across multiple viewpoint characters, forced to navigate conflict, coming of age, clashing cultures and magic. The threads are gradually woven together, leading to a single, thrilling conclusion.

Opening up an area overlooked by Renaissance scholarship, this collection of essays historicizes and theorizes 'forgetting' in English literary texts.

This book explores the relationship between Dickens and canonical Romantic authors: Blake, Wordsworth, Coleridge, Byron, Percy and Mary Shelley, and Keats. Addressing a significant gap in Dickens studies, four topics are identified: Childhood, Time, Progress, and Outsiders, which together constitute the main aspects of Dickens’s debt to the Romantics. Through close readings of key Romantic texts, and eight of Dickens’s novels, Peter Cook investigates how Dickens utilizes Romantic tropes to express his responses to the exponential growth of post-revolutionary industrial, technological culture and its effects on personal life and relationships. In this close study of Dickensian Romanticism, Cook demonstrates the enduring relevance of Dickens and the Romantics to contemporary culture.

Paying special attention to Sidney's Arcadia, Spenser's Faerie Queene, and Shakespeare's romances, this study engages in sustained examination of chiasmus in early modern English literature. The author's approach leads to the recovery of hidden designs which are shown to animate important works of literature; along the way Engel offers fresh and more comprehensive interpretations of seemingly shopworn conventions such as memento mori conceits, echo poems, and the staging of deus ex machina. The study, grounded in the philosophy of symbolic forms (following Ernst Cassirer), will be a valuable resource for readers interested in intellectual history and symbol theory, classical mythology and Renaissance iconography. Chiastic Designs affords a glimpse into the transformative power of allegory during the English Renaissance by addressing patterns that were part and parcel of early modern "mnemonic culture."

Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad.