On the basis of extensive manuscript study, Goffart disentangles the order of composition and authoritatively pronounces on the authenticity of the eighty-four Le Mans charters. Most of all, he insists that the forgeries are an essay on church property and its law.

An examination of the transmission and spread of papal documents in the Latin West between the 4th and 9th centuries. These documents, which were collected from the 5th century onwards, became the basis of canon law. The second part of the volume discusses the prevalence of forged decress which were attributed to the earliest popes.

This book investigates the importance of literacy in early medieval Europe in a number of different societies between c. 400 and c. 1000.

An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, he indicates how this fad for falsification points to new attitudes toward past and present—a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects—the history of the Church and their local realms, rather than the literary world of classical antiquity. A comparative history of falsified records at a crucial turning point in the Middle Ages, Forgery and Memory at the End of the First Millennium offers valuable insights into how institutions and individuals rewrote and reimagined the past.

Thinkers in medieval France constantly reconceptualized what had come before, interpreting past events to give validity to the present and help control the future. The long-dead saints who presided over churches and the ancestors of established dynasties were an especially crucial part of creative memory, Constance Brittain Bouchard contends. In Rewriting Saints and Ancestors she examines how such ex post facto accounts are less an impediment to the writing of accurate history than a crucial tool for understanding the Middle Ages. Working backward through time, Bouchard discusses twelfth-century scribes contemplating the ninth-century documents they copied into cartularies or reworked into narratives of disaster and triumph, ninth-century churchmen deliberately forging supposedly late antique documents as weapons against both kings and other churchmen, and sixth- and seventh-century Gallic writers coming to terms with an early Christianity that had neither the saints nor the monasteries that would become fundamental to religious practice. As they met with political change and social upheaval, each generation decided which events of the past were worth remembering and which were to be reinterpreted or quietly forgotten. By considering memory as an analytic tool, Bouchard not only reveals the ways early medieval writers constructed a useful past but also provides new insights into the nature of record keeping, the changing ways dynasties were conceptualized, the relationships of the Merovingian and Carolingian kings to the church, and the discovery (or invention) of Gaul's earliest martyrs.

A close analysis of forgeries and historical writings at Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury, offering valuable access to why medieval people often rewrote their pasts.What modern scholars call "forgeries" (be they texts, seals, coins, or relics) flourished in the central Middle Ages. Although lying was considered wrong throughout the period, such condemnation apparently did not extend to forgeries. Rewriting documents was especially common among monks, who exploited their mastery of writing to reshape their records. Monastic scribes frequently rewrote their archives, using charters, letters, and narratives, to create new usable pasts for claiming lands and privileges in their present or future. Such imagined histories could also be deployed to "reform" their community or reshape its relationship with lay and ecclesiastical authorities. Although these creative rewritings were forgeries, they still can be valuable evidence of medieval mentalities. While forgeries cannot easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.lose analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.

In medieval Europe, the death of a king could not only cause a dispute about the succession, but also a severe crisis. In times of a vacant throne particular responsibility fell to the bishops - whose general importance for the time around the first milennium has been revealed by recent scholarship - as royal counsellors and policy makers. This volume therefore concentrates on the bishops' room for manoeuvre and the patterns of episcopal power, focusing on the Eastern Frankish Reich and Anglo-Saxon England in a comparative approach which is not least based upon the research of a renowned medievalist, Timothy Reuter. His article about "A Europe of Bishops" ("Ein Europa der Bischöfe") is presented in English translation for the first time.