WATCH WILL TRENT ON ABC! Karin Slaughter, the New York Times bestselling author of Pieces of Her, brings back Will Trent and Sara Linton in this superb and timely thriller full of devious twists, disturbing secrets, and shocking surprises you won’t see coming A mysterious kidnapping On a hot summer night, a scientist from the Centers for Disease Control is grabbed by unknown assailants in a shopping center parking lot. The authorities are desperate to save the doctor who’s been vanished into thin air. A devastating explosion One month later, the serenity of a sunny Sunday afternoon is shattered by the boom of a ground-shaking blast—followed by another seconds later. One of Atlanta’s busiest and most important neighborhoods has been bombed—the location of Emory University, two major hospitals, the FBI headquarters, and the CDC. A diabolical enemy Medical examiner Sara Linton and her partner Will Trent, an investigator with the Georgia Bureau of Investigation, rush to the scene—and into the heart of a deadly conspiracy that threatens to destroy thousands of innocent lives. When the assailants abduct Sara, Will goes undercover to save her and prevent a massacre—putting his own life on the line for the woman and the country he loves.

The No. 1 Sunday Times bestseller!

Based on a true story, this debut Civil War novel follows a Southern plantation woman's journey of transforming her home into a hospital for the war. This debut novel is based on the true story of Carrie McGavock. During the Civil War's Battle of Franklin, a five-hour bloodbath with 9,200 casualties, McGavock's home was turned into a field hospital where four generals died. For 40 years she tended the private cemetery on her property where more than 1,000 were laid to rest.

WATCH WILL TRENT ON ABC! “If you’re into mystery thrillers, then you’re into Karin Slaughter.” —THESKIMM He watches. He waits. He takes. Who will be next . . . THE SILENT WIFE Investigating the killing of a prisoner during a riot inside a state penitentiary, GBI investigator Will Trent is confronted with disturbing information. One of the inmates claims that he is innocent of a brutal attack for which he has always been the prime suspect. The man insists that he was framed by a corrupt law enforcement team led by Jeffrey Tolliver and that the real culprit is still out there—a serial killer who has systematically been preying on women across the state for years. If Will reopens the investigation and implicates the dead police officer with a hero’s reputation of wrongdoing, the opportunistic convict is willing to provide the information GBI needs about the riot murder. Only days ago, another young woman was viciously murdered in a state park in northern Georgia. Is it a fluke, or could there be a serial killer on the loose? As Will Trent digs into both crimes it becomes clear that he must solve the cold case in order to find the answer. Yet nearly a decade has passed—time for memories to fade, witnesses to vanish, evidence to disappear, and lies to become truth. But Will can’t crack either mystery without the help of the one person he doesn’t want involved: his girlfriend and Jeffrey Tolliver’s widow, medical examiner Sara Linton. When the past and present begin to collide, Will realizes that everything he values is at stake . . .

NEW YORK TIMES BESTSELLER “[A] hold-on-to-your-hat, nail-biting story.”—The Washington Post “Slaughter’s best yet, by far.”—Lee Child Will Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and Will is inexplicably kept off the case by his supervisor and mentor, deputy director Amanda Wagner. Will cannot fathom Amanda’s motivation until the two of them literally collide in an abandoned orphanage they have both been drawn to for different reasons. Decades before, when his father was imprisoned for murder, this was Will’s home. It appears that the case that launched Amanda’s career forty years ago has suddenly come back to life—and it involves the long-held mystery of Will’s birth and parentage. Now these two dauntless investigators will each need to face down demons from the past if they are to prevent an even greater terror from being unleashed. Includes Karin Slaughter’s short story “Snatched” and a preview of the Will Trent novel Unseen “With every page of this story the tension mounts. . . . If you have a hunger for a rich and fulfilling novel then you owe it to yourself to pick up Criminal.”—Huffington Post “A masterpiece of character, atmosphere and riveting suspense, Criminal is the most powerful and moving novel yet from one of the most gifted storytellers at work today.”—Chicago Daily Herald

THE NEW YORK TIMES BESTSELLER “A twisted psychological thriller you’ll have trouble putting down.”—People “If you liked Gone Girl and The Girl on the Train, you might want to pick up The Widow by Fiona Barton. Engrossing. Suspenseful.”—Stephen King Following the twists and turns of an unimaginable crime, The Widow is an electrifying debut thriller that will take you into the dark spaces that exist between a husband and a wife. There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now her husband is dead, and there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything... An NPR Best Book of the Year One of The Wall Street Journal’s 5 “Killer Books” of the Year A Publishers Weekly Best Book of the Year Includes a Readers Guide and an excerpt of Fiona Barton’s The Child.

“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.