In his impressive and confident debut, Michael Wiley delivers a thrilling tale about how greed and revenge play out on the streets of Chicago. Private eye Joe Kozmarski has just been asked to clear his childhood friend Bob Piedras of murder. Bob's latest girlfriend, a young Vietnamese-American beauty, has turned up dead in an airport hotel. No one's very surprised. She had a taste for hard liquor, drugs, and stripping in front of a camera. And Bob has a history of violence. But Bob's boss, retired judge Peter Rifkin, is convinced Bob is innocent and he thinks Joe is the one to find the real killer. But Joe's life is complicated. He hasn't spoken to Rifkin for fifteen years---ever since his father, now dead, found out that the judge had double-crossed him. The dead woman's brothers, a pair of tough guys, are bent on being the first to find and punish her murderer. On top of that, Joe and his wife have separated and his mother has dropped his eleven-year-old nephew on him. But the more obstacles Joe encounters, the more determined he becomes to see this case through. Since its beginning, the PWA/SMP Best First Private Eye Novel Contest has accomplished its mission of finding amazing new talent in mystery writing. With vividly realized characters and a page-turning story line, The Last Striptease is the latest in what has become a long tradition of excellent crime fiction.

Famed photographer Sheryl Nields brings burlesque superstar Dita Von Teese to life in a series of flip books that capture the dancer′s most intimate performances. A perfect collectible book for fans of Dita, classic burlesque devotees, or for anyone who loves a playful and beautifully packaged book, DITA: STRIPTEASE is an exquisite visual tribute to this one-of-a-kind performer, featuring three of her most beloved dances: Martini Glass Show: Performed all over the world, the martini glass show is Dita′s most famous burlesque act. Featuring her in her "Diamonds in the Buff" costume, Dita performs a traditional striptease that culminates with her bathing herself in an oversize martini glass, complete with olive sponge. Bird of Paradise Show: Inside a posh gilded Victorian birdcage, burlesque′s brightest star reinvents the classic feather fan dance with two lush oversize feather fans of exotic, rare magenta pheasant feathers. In an extraordinary costume of beautifully curved feathers, Dita spins around on her golden perch, and treats audiences to an unforgettable wet and wild finale as sparkling water showers over her body. Classic Striptease: This striptease features Dita dressed in a vintage suit complete with a veiled hat, seamed stockings, and sky-high stilettos. Audiences get a glimpse into Dita′s personal wardrobe-and what she reveals underneath it!

This first complete history of a century of striptease is filled with rare photographs and period illustrations.

The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.

From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Striptease Culture is divided in to three sections: * Part one - traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic' * Part two - considers popular cultural forms of sexual representation in the media, moving from backlash elements in straight male culture and changing images of women, to the representation of gays in contemporary film and television * Part three - looks at the use of sexuality in contemporary art, examinging the artistic 'striptease' of Jeff Koons, and others who have used their own naked bodies in their work. Also considering how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy, the high profile of sexuality as a key contributor to public health education in the era of HIV and AIDS, and the implications of the rise of striptease culture for the future of sexual poltics, Brian McNair has produced an excellent book in the study of gender, sexuality and contemporary culture.

Michael Wiley's first novel, The Last Striptease, was nominated for a Shamus Award and hailed as "riveting" (The Chicago Tribune), "delightful" (Toronto Globe and Mail), and "hard-boiled fiction with tenderness and compassion" (New York Newsday). Now he offers another exciting, fast-paced page-turner with The Bad Kitty Lounge. Greg Samuelson, an unassuming bookkeeper, has hired Joe Kozmarski to dig up dirt on his wife and her lover Eric Stone. But now Samuelson has taken matters into his own hands. It looks like he's torched Stone's Mercedes, killed his boss, and then shot himself, all in the space of an hour. The police think they know how to put together this ugly puzzle. But as Kozmarski discovers, nothing's ever simple. Eric Stone wants to hire Kozmarski to clear Samuelson. Samuelson's dead boss, known as the Virginity Nun, has a saintly reputation but a red-hot past. And a gang led by an aging 1960s radical shows up in Kozmarski's office with a backpack full of payoff money, warning him to turn a blind eye to murder. At the same time, Kozmarski is working things out with his ex-wife, Corrine, his new partner, Lucinda Juarez, and his live-in nephew, Jason. If the bad guys don't do Kozmarski in, his family might.

Winner of the Shamus Award for Best Novel Working late-night surveillance at a luxury condominium development, Chicago private investigator Joe Kozmarski encounters a burglary crew. Two of the crew members show up in a police cruiser dressed in uniform. In the chaos that follows, Kozmarski shoots and kills one of the thieves, who, like the rest of the crew, is one of Chicago's Finest. And just like that Kozmarski finds he's in for many a bad night's sleep. Kozmarski joins the burglary crew, working as an inside agent for his old friend Lieutenant Bill Gubman. Facing dangerous suspicions from both the criminal gang and the uncorrupted ranks of the police department, uncertain about who wishes to help him stay alive and who wishes to kill him, Kozmarski takes his wildest ride yet. A Bad Night's Sleep pushes full throttle through the streets of Chicago to a stunning conclusion.