A third collection from a poet whose "beautiful sentences weave the miraculous and mundane into a single, luminous tapestry" (The Atlanta Journal-Constitution) Barbara has won acclaim for fluid and graceful poems that touch on the small occurrences and mysteries of daily life in the hopes of finding the secret meaning beneath them. Both intimate and wide ranging, her work is unafraid of big subjects and big feelings, and sometimes comedic. Her third collection, The Last Skin, extends and develops these qualities, offering landscapes and characters both domestic and exotic, in poignant personal lyrics of precise description that investigate beauty, grief, death, fragility, time, and loss. Here is a poet engaged with the spirit as well as the political, blending the give and take of the world into her own ecstatic rhythms.

This is the first collection of Antjie Krog's poetry to appear in English, and it cements her reputation as one of South Africa's greatest poets. Down to My Last Skin is her poetic exploration of her different identities, the layers that make the human condition so intricate, fragile and yet resilient. The collection is divided into seven clear sections which explore layers in Krog's life, and those in every individual. Down to My Last Skin was the inaugural winner of the FNB Vita Poetry Award in 2000. From Down to My Last Skin, p80 (n) neither family nor friends says Lady Anne tonight everything speaks through the dead towards me your brittle bundle of bones my longestloved beloved lies lonely and longingly cradled somewhere lost and lean I am overwhelmingly awake tonight of me so little has become you are all I had in this world beloved deathling alone and cold it is behind my ribs Africa had me giving up all it is so dark it is so bleak soft beloved taunter of me so little has become I am down to my last skin

A spine-tingling standalone novel by bestselling author TJ Klune—a supernatural road-trip thriller featuring an extraordinary young girl and her two unlikely protectors on the run from cultists and the government. There's nothing more human than a broken heart. In the spring of 1995, Nate Cartwright has lost everything: his parents are dead, his only brother wants nothing to do with him, and he's been fired from his job as a journalist in Washington, DC. With nothing left to lose, he returns to his family's summer cabin outside the small mountain town of Roseland, Oregon, to try and find some sense of direction. The cabin should be empty. It's not. Inside is a man named Alex. And with him is an extraordinary ten-year-old girl who calls herself Artemis Darth Vader. Artemis, who isn't exactly as she appears. Soon it becomes clear that Nate must make a choice: let himself drown in the memories of his past, or fight for a future he never thought possible. Because the girl is special. And forces are descending upon them who want nothing more than to control her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

#1 NEW YORK TIMES BESTSELLER • A bold work from the author of The Black Swan that challenges many of our long-held beliefs about risk and reward, politics and religion, finance and personal responsibility In his most provocative and practical book yet, one of the foremost thinkers of our time redefines what it means to understand the world, succeed in a profession, contribute to a fair and just society, detect nonsense, and influence others. Citing examples ranging from Hammurabi to Seneca, Antaeus the Giant to Donald Trump, Nassim Nicholas Taleb shows how the willingness to accept one’s own risks is an essential attribute of heroes, saints, and flourishing people in all walks of life. As always both accessible and iconoclastic, Taleb challenges long-held beliefs about the values of those who spearhead military interventions, make financial investments, and propagate religious faiths. Among his insights: • For social justice, focus on symmetry and risk sharing. You cannot make profits and transfer the risks to others, as bankers and large corporations do. You cannot get rich without owning your own risk and paying for your own losses. Forcing skin in the game corrects this asymmetry better than thousands of laws and regulations. • Ethical rules aren’t universal. You’re part of a group larger than you, but it’s still smaller than humanity in general. • Minorities, not majorities, run the world. The world is not run by consensus but by stubborn minorities imposing their tastes and ethics on others. • You can be an intellectual yet still be an idiot. “Educated philistines” have been wrong on everything from Stalinism to Iraq to low-carb diets. • Beware of complicated solutions (that someone was paid to find). A simple barbell can build muscle better than expensive new machines. • True religion is commitment, not just faith. How much you believe in something is manifested only by what you’re willing to risk for it. The phrase “skin in the game” is one we have often heard but rarely stopped to truly dissect. It is the backbone of risk management, but it’s also an astonishingly rich worldview that, as Taleb shows in this book, applies to all aspects of our lives. As Taleb says, “The symmetry of skin in the game is a simple rule that’s necessary for fairness and justice, and the ultimate BS-buster,” and “Never trust anyone who doesn’t have skin in the game. Without it, fools and crooks will benefit, and their mistakes will never come back to haunt them.”

In The Skin, Curzio Malaparte extends the great fresco of European society he began in Kaputt. There the scene was Eastern Europe, here it is Italy during the years from 1943 to 1945; instead of Germans, the invaders are the American armed forces. In all the literature that derives from the Second World War, there is no other book that so brilliantly or so woundingly presents triumphant American innocence against the background of the European experience of destruction and moral collapse.

Zoe. Jenny. Nadia. Three women of varying ages and backgrounds with little else in common but for one thing: Someone has sent them each a note informing them that they will be killed. A cruel joke? A hoax? The police don't seem to think so. Now, with no clear suspect and amid the growing threat of violence, the victims become the accused as authorities dig into their backgrounds for clues as to why they might have attracted the unrelenting attention of a killer. As Zoe, Jenny, and Nadia find themselves being victimized twiceover, once by the faceless stalker and again by the police, each must ultimately face the question of which is stronger: the instinct to survive, or the desire to destroy?

While the American health care system has consistently been criticized for its noticeable detriments, few have taken the time to recognize the significant benefits and potential of this system. But with Skin in the Game, authors John Hammergren and Phil Harkins provide a comprehensive overview of the history of our health care system, an explanation of its current state, and a picture of the great strides that they see being made in the near future.