A modern fairytale about sisterhood, forgiveness, and redemption in the vein of The Girl Who Drank the Moon and The One and Only Ivan. Off the coast of Ireland, on the island of Hybrasil, lives a Magician and four enchanted rabbit sisters. One by one, the rabbits have been leaving the island, accompanied by a Boy and his boat. When the rabbits leave, they can turn back into girls. The last rabbit, Albie, remains. She doesn't want to leave, but the island is sinking. Before deciding where she wants to go, Albie visits each of her sisters. Caragh has joined a circus. Isolde is the captain of a pirate ship. And Rory wants to go home to the family's house in Cork. Through many furry twists and hoppity turns, we learn how one mistake can lead to many consequences, and that forgiveness and family are always within reach.

'Insightful and touching but jovial at the same time.' Nadiya Hussain 'A delightful roller-coaster ride of emotion.' Sunday Independent ___ Here is a truth that can't be escaped: for Mia 'Rabbit' Hayes, life is coming to an end . . . Rabbit Hayes loves her life, ordinary as it is, and the extraordinary people in it. She loves her spirited daughter, Juliet; her colourful, unruly family; the only man in her big heart, Johnny Faye. But it turns out the world has other plans for Rabbit, and she's OK with that. Because she has plans for the world too, and only a handful of days left to make them happen. Here is a truth that won't be forgotten: if you can laugh through life's surprises and find the joy in every moment, you will live a full life. ___ Praise for Anna McPartlin: 'What a beautiful book. I cried and smiled my way through.' Jane Green 'Beautiful, brave storytelling.' Heat Magazine 'A delightful roller-coaster ride of emotion' Sunday Independent Readers love The Last Days of Rabbit Hayes: ***** 'Extremely moving . . . perfectly executed' ***** 'Compassionate and honest' ***** 'Should definitely be on everyone's must-read list'

A modern fairytale about sisterhood, forgiveness, and redemption in the vein of The Girl Who Drank the Moon and The One and Only Ivan. Off the coast of Ireland, on the island of Hybrasil, lives a Magician and four enchanted rabbit sisters. One by one, the rabbits have been leaving the island, accompanied by a Boy and his boat. When the rabbits leave, they can turn back into girls. The last rabbit, Albie, remains. She doesn't want to leave, but the island is sinking. Before deciding where she wants to go, Albie visits each of her sisters. Caragh has joined a circus. Isolde is the captain of a pirate ship. And Rory wants to go home to the family's house in Cork. Through many furry twists and hoppity turns, we learn how one mistake can lead to many consequences, and that forgiveness and family are always within reach.

"It is December 1 in southern California, a White Rabbit day, and Ruth, eighty-eight years old, is seeing things. Her husband, Henry - King of the Boobs - is no help, of course, and her granddaughter is shacking up with a maniac against Ruth's best advice. But that furry white bunny hiphopping across her field of vision keeps snickering "Time!" and Ruth has to wonder if hers is up." "Tracking her pinball course through her final day on earth, White Rabbit follows Ruth's progress minute by minute as she devises ever odder routines for coping with the breakdown of her household appliances and her own vital organs and her faith in romantic love. Opening a window onto Ruth's past are her heartbreaking memories of the men in her life, from her withholding first husband to goony, hopeless Henry, who cannot understand her despite his steadfast loyalty."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Newbery Honor-winning author Cynthia Lord has written a sensitive and accessible book about the challenges of fitting in when you know you're a little different. On the last night of summer, Emma tags along with her game warden father on a routine call. They're supposed to rescue a wild rabbit from a picket fence, but instead they find a little bunny. Emma convinces her father to bring him home for the night.The next day, Emma starts public school for the very first time after years of being homeschooled. More than anything, Emma wants to make a best friend in school.But things don't go as planned. On the first day of school, she's paired with a boy named Jack for a project. He can't stay on topic, he speaks out of turn, and he's obsessed with animals. Jack doesn't fit in, and Emma's worried he'll make her stand out.Emma and Jack bond over her rescue rabbit. But will their new friendship keep Emma from finding the new best friend she's meant to have?Newbery Honor-winning author Cynthia Lord has written a beautiful and sensitive book about being different and staying true to yourself.

PULITZER PRIZE WINNER • One of the most gifted American writers of the twentieth century brings back ex-basketball player Harry “Rabbit” Angstrom, the late middle-aged hero of Rabbit, Run, who has acquired heart trouble, a Florida condo, and a second grandchild, and is looking for reasons to live. “Brilliant . . . the best novel about America to come out of America for a very, very long time.”—The Washington Post Book World Rabbit’s son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending out mixed signals; and his wife, Janice, decides in midlife to become a working girl. As, through the winter, spring, and summer of 1989, Reagan's debt-ridden, AIDS-plagued America yields to that of George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live. The geographical locale is divided between Brewer, in southestern Pennyslvania, and Deleon, in southwestern Florida.

Emma Donoghue vividly brings to life stories inspired by her discoveries of fascinating, hidden scraps of the past. Here an engraving of a woman giving birth to rabbits, a plague ballad, surgical case notes, theological pamphlets, and an articulated skeleton are ingeniously fleshed out into rollicking, full-bodied fictions. Whether she's spinning the tale of an English soldier tricked into marrying a dowdy spinster, a Victorian surgeon's attempts to "improve" women, a seventeenth-century Irish countess who ran away to Italy disguised as a man, or an "undead" murderess returning for the maid she left behind to be executed in her place, Emma Donoghue brings to her tales a colorful, elegant prose filled with the sights and smells and sounds of the period. She summons the ghosts of those men and women who counted for nothing in their own day and brings them to unforgettable life in fiction.