In 1885, along the Gulf Coast of Texas, the once-numerous Karankawa Indians had all but disappeared. The story unfolds as an orphan Indian boy, Kola, finds that he is the last living member of his people. Kola is taken in by W. S. and Jane Deats and their family, after their son, Sparkman, finds him floating in a canoe in Dickinson Bay. The Deats family soon realizes that Kola is extremely smart and more than willing to do his part in becoming a member of their family. After W. S. Deats gives Kola a gray filly as his own to ride, for the daily ranch work that is expected of the boys, an unusual bond develops between horse and boy. Kola soon becomes one of the best cowboys on the open prairies of the Gulf Coast. His roping skills soon become legendary. Many of the white settlers still had memories of problems with the nomadic Karankawa tribes as they roamed along the coast line of Texas. The embellished tales of these conflicts, over the years, had been passed on to new arrivals in Galveston County. When the Deats family enrolled Kola in school, there was an outcry from many of the citizens of Dickinson. An Indian boy in the classroom with white children was unacceptable in their eyes. How WS and Jane handle the violence that erupts makes for an intriguing story.

"Vivid . . . Garza's accomplished debut enriches the public imagination of this corner of America, and the communities within." —The New York Times A blazing and kaleidoscopic debut about a tight-knit community of Mexican and Filipino American families on the Texas coast from a voice you won't soon forget. Welcome to Galveston, Texas. Population 50,241. A popular tourist destination and major shipping port, Galveston attracts millions of visitors each year. Yet of those who come to drink by the beach, few stray from the boulevards to Fish Village, the neighborhood home to individuals who for generations have powered the island. Carly Castillo has only ever known Fish Village. Her grandmother claims that they descend from the Karankawas, an extinct indigenous Texan tribe, thereby tethering them to Galveston. But as Carly ages, she begins to imagine a life elsewhere, undefined by her family’s history. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave Galveston for bigger cities with more possibilities. But he didn’t take them then, and he sure as hell won’t now. When word spreads of a storm gathering strength offshore, building into Hurricane Ike, each Galveston resident must make a difficult decision: board up the windows and hunker down or flee inland and abandon their hard-won homes. Moving through these characters’ lives and those of the extraordinary individuals who circle them, Kimberly Garza's The Last Karankawas weaves together a multitude of voices to present a lyrical, emotionally charged portrait of everyday survival. The result is an unforgettable exploration of familial inheritance, human resilience, and the histories we assign to ourselves, reminding us that the deepest bonds are forged not by blood, but by fire.

Karankawa is a collection that explores some of the ways in which we (re)construct our personal histories. Rich in family narratives, myths, and creation stories, these are poems that investigate passage—dying, coming out, transforming, being born—as well as the gaps that also reside in our stories, for, as Rocha suggests, the opportunity to create myths is provided by great silences. Much like the Karankawa Indians whose history works in omissions, Karankawa reconfigures such spaces, engaging with the burden and freedom of memory in order to rework and recontextualize private and public mythologies. First and last, these are poems that honor our griefs and desires, for they keep alive the very things we cannot possess.

A New York Times Book Review Editors' Choice • An Indie Next Pick • Named a Most Anticipated and Must-Read Book by BuzzFeed, Book Riot, and Ms. Magazine • One of Washington Independent Review of Books' Favorite Books of 2022 "Vivid . . . Garza's accomplished debut enriches the public imagination of this corner of America, and the communities within." —Melissa Chadburn, The New York Times Book Review (Editors' Choice) A blazing and kaleidoscopic debut about a tight-knit community of Mexican and Filipino American families on the Texas coast from a voice you won't soon forget. Welcome to Galveston, Texas. Population 50,241. Carly Castillo has only ever known Galveston. Her grandmother Magdalena claims that they descend from the Karankawas, an extinct indigenous Texan tribe, thereby tethering them to the land. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave for bigger cities, but he didn’t take them then and he sure as hell won’t now. When word spreads of a storm gathering strength offshore known as Hurricane Ike, each Galveston resident must make a difficult decision: board up the windows and hunker down or flee inland and abandon their hard-won homes. Moving through the extraordinary lives of these characters and the many individuals who circle them, The Last Karankawas weaves together a multitude of voices to present a lyrical, emotionally charged portrait of everyday survival. The result is an unforgettable exploration of familial inheritance, human resilience, and the histories we assign to ourselves.

In the late seventeenth century, General Alonso de León led five military expeditions from northern New Spain into what is now Texas in search of French intruders who had settled on lands claimed by the Spanish crown. Lola Orellano Norris has identified sixteen manuscript copies of de León’s meticulously kept expedition diaries. These documents hold major importance for early Texas scholarship. Some of these early manuscripts have been known to historians, but never before have all sixteen manuscripts been studied. In this interdisciplinary study, Norris transcribes, translates, and analyzes the diaries from two different perspectives. The historical analysis reveals that frequent misinterpretations of the Spanish source documents have led to substantial factual errors that have persisted in historical interpretation for more than a century. General Alonso de León’s Expeditions into Texas is the first presentation of these important early documents and provides new vistas on Spanish Texas.

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“Swanson has done a crucial public service by exposing the barbarous side of the Rangers.” —The New York Times Book Review A twenty-first century reckoning with the legendary Texas Rangers that does justice to their heroic moments while also documenting atrocities, brutality, oppression, and corruption The Texas Rangers came to life in 1823, when Texas was still part of Mexico. Nearly 200 years later, the Rangers are still going--one of the most famous of all law enforcement agencies. In Cult of Glory, Doug J. Swanson has written a sweeping account of the Rangers that chronicles their epic, daring escapades while showing how the white and propertied power structures of Texas used them as enforcers, protectors and officially sanctioned killers. Cult of Glory begins with the Rangers' emergence as conquerors of the wild and violent Texas frontier. They fought the fierce Comanches, chased outlaws, and served in the U.S. Army during the Mexican War. As Texas developed, the Rangers were called upon to catch rustlers, tame oil boomtowns, and patrol the perilous Texas-Mexico border. In the 1930s they began their transformation into a professionally trained police force. Countless movies, television shows, and pulp novels have celebrated the Rangers as Wild West supermen. In many cases, they deserve their plaudits. But often the truth has been obliterated. Swanson demonstrates how the Rangers and their supporters have operated a propaganda machine that turned agency disasters and misdeeds into fables of triumph, transformed murderous rampages--including the killing of scores of Mexican civilians--into valorous feats, and elevated scoundrels to sainthood. Cult of Glory sets the record straight. Beginning with the Texas Indian wars, Cult of Glory embraces the great, majestic arc of Lone Star history. It tells of border battles, range disputes, gunslingers, massacres, slavery, political intrigue, race riots, labor strife, and the dangerous lure of celebrity. And it reveals how legends of the American West--the real and the false--are truly made.