“A truly compelling and worthwhile thriller” (Associated Press) that centers around the mysterious murders of humanitarian men and women and the detective who seeks to solve the riddle—before it’s too late. In Beijing, a monk collapses in his chamber , dead. A fiery mark—a tattoo? a burn?—spreads across his back and down his spine. In Mumbai, a beloved economist dies suddenly. The same symbol appears. Similar deaths are reported around the world—the victims all humanitarians, all with the same death mark. In Venice, a rogue Italian policeman links the deaths, tracing the evidence. Who is killing good people around the world? In Copenhagen, the Interpol alert lands on the desk of veteran detective Niels Bentzon: Find the “good people” of Denmark and warn them. But Bentzon is a man who is trained to see the worst in humanity, not the good. Just as Bentzon is ready to give up, he meets Hannah Lund, a brilliant astrophysicist mourning the death of her son. With Hannah’s help, Bentzon begins to piece together the puzzle of these far-flung deaths. A pattern emerges—a perfectly executed plan of murder. There have been thirty-four deaths—two more to come if the legend is true. According to the pattern, Bentzon and Hannah can predict the time and place of the final two murders. The deaths will occur in Venice and Copenhagen. And the time is now.

Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin's town, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. They sit in the shadow of a vast wall, inscribed with strange messages. Out here, the people live an honest life - and if there's any trouble, they have a way to settle it. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might compromise the community. Nothing happens if there's only one allegation. Or two. But any more than that, and there has to be a reckoning. Don't try running. The moors are a dangerous place, boggy and treacherous; a wrong foot can see you sunk. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for? What power do sentences have to bind us to our deeds? And what power do names have to anchor the world when extinction is in the air?

A man has lived on his own beside a wild, unforgiving coastline for many years. His companions are the birds, the land and the sea. From a choice made long ago, he keeps himself separate from the world of people and he gains a fierce pleasure from his environment. His solitude is broken by his discovery, one early morning on the flat sands of low tide, of a child washed up on the beach, but still alive. This is a novel of redemption, the story of a man experiencing the world as though for the first time.

A stunning western historical romance from USA Today bestselling author Jo Goodman, one of today's “premier western romance writers.”* As the owner of the Pennyroyal Saloon and Hotel, Lorraine Berry is privy to almost everything that goes on in Bitter Springs, Wyoming—including the bloodshed plaguing its citizens. With all of the good men dying at the hands of a local rancher and his three sons, Raine hires a shootist to be the town’s protector. But her handsome new employee is more than a hired hand; he’s a man who keeps his guns close and his secrets closer. After a chance encounter on a train, Kellen Coltrane travels to the Pennyroyal to carry out a dying man’s last wish. But once he meets the hotel’s fiery-haired proprietor, Coltrane finds himself assuming the role of the shootist’s accomplice and agrees to protect Bitter Springs. And as he learns more about Raine’s own tragedy, Coltrane can’t deny his growing desire for the courageous widow, or the urge to protect her from the threat that draws near...

A wry, unvarnished chronicle of a career in the rare book trade during its last Golden Age When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. He walked in as a psychiatric counselor and walked out as the store’s new owner. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota—the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he met along the way. Here we meet the infamous St. Paul Book Bandit, Stephen Blumberg, who stole 24,000 rare books worth more than fifty million dollars; John Jenkins, the Texas rare book dealer who (probably) was murdered while standing in the middle of the Colorado River; and the eccentric Melvin McCosh, who filled his dilapidated Lake Minnetonka mansion with half a million books. In 1990, with a couple of partners, Goodman opened St. Croix Antiquarian Books in Stillwater, one of the Twin Cities region’s most venerable bookshops until it closed in 2017. This store became so successful and inspired so many other booksellers to move to town that Richard Booth, founder of the “book town” movement in Hay-on-Wye in Wales, declared Stillwater the First Book Town in North America. The internet changed the book business forever, and Goodman details how, after 2000, the internet made stores like his obsolete. In the 1990s, the Twin Cities had nearly fifty secondhand bookshops; today, there are fewer than ten. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age.

_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.

In this electrifying thriller from three-time Edgar Award winner and New York Times bestseller T. Jefferson Parker, PI Roland Ford hunts for a missing teenager and uncovers a dark conspiracy in his most personal case yet. When hired by a beautiful and enigmatic woman to find her missing younger sister, private investigator Roland Ford immediately senses that the case is not what it seems. He is soon swept up in a web of lies and secrets as he searches for the teenager, and even his new client cannot be trusted. His investigation leads him to a secretive charter school, skinhead thugs, a cadre of American Nazis hidden in a desert compound, an arch-conservative celebrity evangelist--and, finally, to the girl herself. The Last Good Guy is Ford's most challenging case to date, one that will leave him questioning everything he thought he knew about decency, honesty, and the battle between good and evil...if it doesn't kill him first.