The Byzantine Empire, fragmented and enfeebled by the Fourth Crusade in 1204, never again recovered its former extent, power and influence. Its greatest revival came when the Byzantines in exile reclaimed their capital city of Constantinople in 1261 and this book narrates the history of this restored empire from 1261 to its conquest by the Ottoman Turks in 1453. First published in 1972, the book has been completely revised, amended, and in part rewritten, with its source references and bibliography updated to take account of scholarly research on this last period of Byzantine history carried out over the past twenty years.

The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.

The first biography of the last Byzantine Emperor.

The Saljuq Turks' defeat of the Byzantines at Manzikert opened the way for their conquest of Anatolia and domination of the Near East. On 26 August 1071 a large Byzantine army under Emperor Romanus IV met the Saljuq Turk forces of Sultan Alp Arslan near the town of Manzikert. The battle ended in a decisive defeat for the Byzantine forces, with the Byzantine emperor captured and much of his fabled Varangian guard killed. This battle is seen as the primary trigger of the Crusades, and as the moment when the power of the East Roman or Byzantine Empire was irreparably broken. The Saljuq victory opened up Anatolia to Turkish-Islamic conquest, which was eventually followed by the establishment of the Ottoman state. Nevertheless the battle itself was the culmination of a Christian Byzantine offensive, intended to strengthen the eastern frontiers of the empire and re-establish Byzantine domination over Armenia and northern Mesopotamia. Turkish Saljuq victory was in no sense inevitable and might, in fact, have come as something of a surprise to those who achieved it. As David Nicolle outlines in this highly illustrated account, it was not only the battle of Manzikert that had such profound and far-reaching consequences, many of these stemmed from the debilitating Byzantine civil war which followed and was a direct consequence of the defeat.

This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at The Metropolitan Museum of Art from March 23 to July 5, 2004).